James Gleick, the author of the classic book “Chaos: Making a New Science” has written a terrific review of Jill Lepore’s new book “If Then: How the Simulmatics Corporation Invented the Future.”The book covers the origin of data science as applied to democracy, and comes as conversations about social media, algorithms, and electoral manipulation are in full swing due to the US election and the release of The Social Dilemma.
Gleick’s review is worth a read. He covers some basic complexity theory when working with data. He provides a good history of the discovery of how the principles of “work at fine granularity” helps to see patterns that aren’t otherwise there. He also shows how the data companies – Facebook, Google, Amazon – has mastered the principle of “data precedes the framework” that lies at the heart of good sensemaking. For me, both of these principles learned from anthro-complexity, are essential in defining my complexity practice.
Working at fine granularity means that, if you are looking for patterns, you need lots of data points before seeing what those patterns are. You cannot simply stake the temperature in one location and make a general conclusion about what the weather is. You need not only many sites, but many kinds of data, including air pressure, wind speed and direction, humidity and so on – in order to draw a weather map that can then be used to predict what MIGHT happen. The more data you have, the more models you can run, and the closer you can come to a probable prediction of the future state. The data companies are able to work at such a fine level of granularity that they can not only reliably predict the behaviour of individuals, but they can also serve information in a way that results in probable changes to behaviour. AS a result, social media is destroying democracy, as it segments and divides people for the purpose of marketing, but also dividing them into camps that are so disconnected from one another that Facebook has already been responsible for one genocide, in Myanmar.
Data preceding the framework means that you don’t start with a framework and try to fit data to that matrix, but rather, you let the data reveal patterns that can then be used to generate activity. Once you have a ton of data, and you start querying it, you will see stable patterns. If you turn these into a framework for action, you can sometimes catalyze new behaviours or actions. This is useful if you are trying to shift dynamics in a toxic culture. But in the dystopian use of this principle, Facebook for example notices the kinds of behaviours that you demonstrate and then serves you information to get you to buy things in a pattern that is similar to others who share a particular set of connections and experiences and behaviours. Cambridge Analytica used this power in many elections, including the 2016 US election and the Brexit referendum as well as elections in Trinidad and Tobago and other places to create divisions that resulted in a particular result being achieved. You can see that story in The Great Hack. Algorithms that were designed to sell products was quickly repurposed to sell ideas, and the result has been the most perilous threat to democracy since the system was invented.
Complex systems are fundamentally unpredictable but using data you can learn about probabilities. If you have a lot of data you gain an advantage over your competitors. If you have all the data you gain an advantage over your customers, turning them from the customer to the product. “If you’re not paying, you are the product” is the adage that signals that customers are now more valuable products to companies that the stuff they are trying to sell to them.
Putting these principles to use for good.
I work with complexity, and that means that I also work with these same principles in helping organizations and communities confront the complex nature of their work. Unlike Facebook though )he says polemically) I try to operate from a moral and ethical standpoint. At any rate, the data we are able to work within our complexity work is pretty fine-grained but not fine-grained enough to provide accurate pictures of what can be manipulated. We work with small pieces of narrative data, collecting them using a variety of methods and using different tools to look for patterns. Tools include NarraFirma, Sensmaker and Spryng, all of which do this work. We work with our clients and their people to look for patterns in these stories and then generate what are called “actionable insights” using methods of complex facilitation and dialogic practice. These insights give us the inspiration to try things and see what happens. When things work, we do more and when they don’t we stop and try something else.
It’s a simple approach derived from a variety of approaches and toolsets. It allows us to sift through hundreds of stories and use them to generate new ideas and actions. It is getting to the point that all my strategic work now is actually just about making sense of data, but doing it in a human way. We don’t use algorithms to generate actions. We use the natural tools of human sensemaking to do it. But instead of starting with a blank slate and a vision statement that is disconnected from reality, we start with a picture of the stories that matter and we ask ourselves, what can we start, stop, stabilize or create to take us where we want to go.
In a world that is becoming increasingly dystopian and where our human facilities are being used against us, it’s immensely satisfying to use the ancient human capacities of telling stories and listening for patterns to create action together. I think in some ways doing work this way is an essential antidote to the way the machines are beginning to determine our next moves. You can use complexity tools like this to look at things like your own patterns of social media use and try to make some small changes to see what happens. Delete the apps from your phone, visit sites incognito, actively seek out warm connections with real humans in your community and look for people that get served very different ads and YouTube videos and recommended search results. Talk to them. They are being made to be very different from you, but away from the digital world, in the slower, warmer world of actual unmediated human interaction, they are not so different.
Postscript
Over the past few years, my work has taken shape from the following bodies of work:
- Dave Snowden’s theories of anthro-complexity, which forms the basis of my understanding of complexity theory and some of the tools for addressing it, including facilitation tools and Sensemaker.
- Cynthia Kurtz’s Participatory Narrative Inquiry, which is a developmental evaluation approach that uses stories and methods of sensemaking that she partly developed with Dave and then subsequently. I use her software, NarraFirma, for most of our narrative work now.
- Glenda Eoyang’s Human System Dynamics is a set of tools and methods for working with complex adaptive systems.
- The facilitation and leadership practices from the Art of Hosting which help us to develop the personal capacity to work dialogically with complexity.
Facilitators are getting inundated with panicky requests to host meetings online. Some of us have the tech know-how to do this, and others don’t. Clients are feeling pressure and urgency to get teams up and running online and folks are hoping the important meeting that they have been working with for months can suddenly go online and get the same kinds of results.
Here is some stuff to help you out.
Slow down. Just because you are not hosting face to face does not mean you are not hosting. Make sure that you do the due diligence in designing and hosting the meeting. You will need to talk to your clients and coach them and give a sense of some of the realities of what is possible and what isn’t, and you are going to need to remind them that this will be clunky and difficult as people learn new ways to work together. Have them invite the group to be patient as everyone learns how to do this.
Work with a tech person and a harvesting person. No matter what platform you are using. hosting online takes a special kind of presence and attention, and it is helpful if you have a small team of people to help you. Notably, if you can have someone managing the tech – including taking participants with technical problems offline – that helps a lot. Also harvesting and documenting as you go is important. As in all processes I run, I try to get folks to co-create the harvest, and when working online you can do that in a Google document where you can set up a template beforehand. If you aren’t able to get everyone to work on the Google document – because people are connecting by phone, for example – then make sure someone is keeping good notes of decisions. At a minimum type these in the chat function, but don’t forget to save the text before exiting the meeting.
Keep it simple. You might be super interested to use all the new tech tools and apps, but bear in mind that your participants are most interested in connecting and getting their work done. Use the easiest mode possible, even if that is a good old fashioned conference call, and taking notes with paper and a pen.
Design together. Let your clients know that it will be helpful to design well. At the very least you should have a conversation with them about the urgent necessity for the meeting and the purpose, the outputs that you are looking for, and the structure and flow of the meeting that will serve that. You can download the Chaordic Stepping Stones tool for a deeper dive into design, or just keep it simple and high level. But let them know that just because you are going online does not mean you can shirk on design time.
Consider the check in. Check ins are really important parts of meetings. It brings people into the meeting space and helps them ground. Invite folks to do these things:
- Shut down all their other apps and programs and clean up their monitor view. This will help people not get lost navigating between windows and will prevent them from getting distracted, and it also conserves bandwidth and makes connections more stable. My friend and colleague Amanda Fenton today shared that it is a kind of aesthetic practice, to create a clean and beautiful workspace for work.
- Give a moment of silence. Just invite a breath, There is a lot going on. Bring a bit of calm into the space.
- Invite people to check in on the google document or in the chatbox. Doing this invites people to immediately participate, by typing and seeing other people working. It helps focus attention on the work at hand and prevents a distraction.
Attend to dynamics:
- Be aware of grief. Everything is shitty right now. People are not coming into work situations in the best mood and some may be experiencing crippling anxiety or grief. If you have an intense meeting coming up with important content, consider offering the check-in as a special gathering an hour or two in advance, just so people can connect with their colleagues and share their emotions. At the very least, remember that in stressful times, people swing wildly in their responses to things. You may need to intervene more often than usual and offer silence and regrounding.
- Be aware of the hum of rush. There is a hum running under everything that is making folks feel rushed. It’s as if the meetings I have hosted or participated in have been running at about 500rpm higher than normal. It’s barely noted consciously, but I’ve noticed that it spins people into intensity. Add to that any technical glitches and frustrations, and it’s difficult to keep it together. So between grief and the hum of rush, pay attention to the emotional tone of the meeting. Focus on the important urgent matters with the right urgency.
- Get ready to let go of your design. That should go without saying in any facilitation, especially if you are facilitating in turbulent and complex situations, but it’s even more true now. Take time to design, but as my friend and colleague Ciaran Camman remarked today, “really be ready to let things go, to find out what the need is again, and respond to that.”
- And this one from Amanda Fenton: “Everything takes a little bit longer. If you ask a question, wait twice as long as you would when hosting face-to-face. People are working harder to sense cues from each other on who might be ready to speak or be fumbling for their un-mute button. If you use break-out rooms, give a minute of informal reintegration before transitioning. Welcome those little pauses.” Good advice.
And finally, attend to your practice. Remember when we used to facilitate face to face meetings? You are still that person, and you still have that practice. Take some time in the next few days to sit down and remind yourself of that. Just because we are doing things in a different way doesn’t mean that we aren’t needed in the same way.
Please share more tips and practices below, especially as it relates to the role and practice of hosting and facilitation and less about tools and software.
I’m in trouble. In the best way. So get ready for a long and rambling post about geeky dialogic philosophy and complexity practice.
I’m a little bit known in some communities as a person that is writing and working with the notion of “container” in dialogic organization development. The word and concept itself comes from a lineage of thinking about the spaces inside which dialogue takes place, and there is certainly lots written about that. I think I first learned the term from the work of William Isaacs whose classic work, “Dialogue,” is a seminal reference in this field. He describes a dialogic container as the “sum of assumpitions, shared intentions, and beliefs of a group.”
While that was the first place I learned of the concept of container in dialogue, my learning about it was also informed by reading about complexity science, and especially learning about dissipative structures and autopoiesis, two key concepts in self-organization in living systems. Furthermore, I learned of the notion of sacred space in both Christianity and indigenous ceremonies, especially the Midewiwin, to which I was exposed in my University years. Finally, my thinking about container with respect to complexity has been heavily influenced by both Dave Snowden and Glenda Eoyang‘s work, as they have explored how these concepts and dynamics from the natural sciences show up in human systems. In this context, Dave’s work on enabling and governing constraints is incredibly useful and Glenda’s broad palette of tools helps us to illuminate and work with containers.
So that is a brief survey of where my understanding has come from. I find the concept incredibly helpful in understanding the dynamics of self-organizing systems and it helps us to find places to intervene in a complex system with a rigorous approach to explore and change the patterns of self-organization and emergence.
So I use the word “container” with a very specific meaning, but it’s not a meaning that is shared by everyone and it definitely not a meaning shared by folks who have a history of being contained. Occasionally I get scolded for using the word, and I own that. We must be VERY thoughtful about language in this work so this is a long post where I think about the implications of this troublesome word which is used to describe a useful concept badly.
The word and concept are useful in understanding and describing dialogic practice. But it has some SERIOUS baggage because in contexts of oppression and colonization the history of colonization, enclosure, and imprisonment is entirely the history of containing people; on reserves, in jails, in schools, in groups defined by race and marked by lines, in ghettoized neighbourhoods, in a million places in which people are contained, enclosed and deprived of their agency and freedom to create and maintain boundaries.
In these contexts, the word “container” is often heard as a reference to places that are created by people with the power to contain others, and very often they contain people who have a lesser amount of power to change or free themselves from that container.
It is true and important to note that any discussion about how to manage dialogic spaces – containers – is entirely dependant on the power one has to create and influence the boundaries, and manage the connections and exchanges. Creating a dialogic container is an act of privilege. Using the word “container” will almost always trigger a negative reaction in people that have been SUBJECTED to containment, against their wills, against the interests, and in the service of depriving them of power.
Liberation movements all over the world in all moments of history are about creating alternative spaces to the oppressive culture and conditions of the present. These are expressed in all kinds of ways. In land reform movements, for example, colonized lands are recovered and returned to their original owners. In movements to free people from enclosed and coercive spaces like exploitative labour, prisons, residential schools, oppressive child welfare practices, or human trafficking, alternative spaces are built for equality, justice, freedom, learning, self-actualization and growth. And the metaphor and reality extends to spaces where people change the language to talk about their conditions and create spaces where conversation, dialogue, and organizing can happen in a way that draws a line between the oppressive practices of the past and the liberating spaces of the future. Socially constructed narratives can provide alternative stories that begin to link, connect, and differentiate people in a way that helps them organize their conditions of freedom.
So one major problem with this troublesome word is how it works in English. The word “contain” can be brutal, because in English it is a transitive verb that is not continuous, meaning that it implies an action conducted upon a object and then arriving at a resting place, where the object is contained and the action is done. That is a troubling truth of the word “container” and partially explains why it rests so uncomfortably on a dialogic practice that is intended to create spaces of generatively, creativity and life. It objectifies the object of it’s action and it acts upon that object to bring about a final conclusion. There is a lot buried in the particular grammatical function of the word. There is no room in the English definition of the word for self-organization and emergence.
Truthfully, the space required for dialogic practice needs a type of verb that doesn’t come so easily to English: a collectively transitive verb that is generative, continuous, and describes something that changes in its use. I suspect, having been a poor student of Anishinaabemowin and a bit of Skwxwu7mesh snichim, that there are maybe such verb forms in these languages. In my long study of the Tao te Ching, I’ve come to understand the concept of “yin” to be this: the form that life takes, in which creative energy is contained so it can do it’s work. It is created and changed in its interdependent relationship to what happens within it, like the way a river bed both holds the river and gives water its form of “river” instead of “lake” and is changed by the river being in it. It implies “receptivity” to creative energy. In Japanese where there is a sophisticated vocabulary for these kinds of spaces, “ma” (?) might be the word I’m looking for: a word that my friend Yurie Makihara defines this way: “Ma is the time concept expressing the time between something and other thing. We say how to create Ma is really important to encourage you to speak or “it’s kind of nice to have this kind of Ma.” For me Ma is the word to include some special sense to say, so we don’t use it just to express the time and the place.” Even though Yurie’s English is quite good, it’s clear that translating this into English is nearly impossible! But I think you get a sense that Ma is a collective sense about the shared time and space relationships that create a moment in which something is possible. Ma describes that moment, in a spatial way.
So. As is often the case, I’m left with the hidden poverty of English to give me a word that serves as both verb and noun and that is highly process-dependant. Over the years folks have suggested words like “nest” “hearth” and “field” to describe it. These are good, but in some ways they are also just softer rebranding of the word “container” to imply a more life-filled space. The terms still don’t ask the question of who gets to create, own and maintain the container nor do they fully capture the beauty and generativity of a complex adaptive structure in which meaning-making, relationship, healing, planning, dreaming both occur and act to transform the place in which they occur.
If we cast our eyes about the culture a bit wider, they quickly land on the word “space.” We use the word “space” a lot in social change circles, but it has its own troublesome incompleteness. The problem with “space” is that it often tends to turn attention towards what is between us and away from the boundary that separates us from others. This can be the way in which creating space for social change can fall victim to an unarticulated shadow: inclusion always implies a boundary between what is included and what is not included. Many social change initiatives falter on an unresourceful encounter with the exclusion that is implied by radical inclusion. A healthy social system can speak as clearly and lovingly about this boundary as it can about the relationship within the system. And for me this is the important part of talking about dialogic practice. So I can understand the helpful neutrality of the term “space” because it can be a result of a tight and impermeable boundary or it can simply be what we give our attention too as we come into relationship around attractors like identities, ideas, purposes, or needs. It can beautifully describe the nature of the “spaces in between.” But it still doesn’t do enough for me to describe the relationship between the spaces and the forces – or constraints – in the system that give rise to a space and enable self-organization and life. Still, it’s a pretty good word.
So perhaps what is needed is a true artistic view of the problem, to look away from the problem and towards the negative space that defines it. That is indeed what I have started doing in my work, by focusing more on the factors that influence self-organization and emergence and less on naming the structure that is created as a result of those factors. This is a critical skill in working with complexity as a strategist, facilitator, manager, and evaluator. These constraints include the interdependent work of the attractors and the boundaries which help us create a “space” for sensemaking and action, whether dialogic action or something else. There is a place where you are either in or out, and there can be a transition zone that is quite fluid and interesting. There is also an attractor at play, which can be a shared purpose, a goal, a shared identity, a shared rhythm or something interesting and strange and emergent that brings us into relationship. Anywhere you find yourself, in any social space, you can probably identify the attractors, the boundaries and perhaps even the nature of the liminal space between completely in and completely out.
This brings us back to the power conversation, rather more helpfully I think. If we let go of the “container” and focus instead on the factors that shape it, we can talk about power right upfront. Attractors and boundaries are VERY POWERFUL. They are created by power and maintained and enforced by power and the negotiation about their nature – more or less stable, more or less influential, more or less permeable and mutable – is by definition a negotiation about power. As a facilitator one carries a tremendous amount of power into the design of dialogic spaces. The most energetic resistance I have ever received in my work is always around the choices I made and the nature of the attractors and boundaries I am working with. I have been told I am too controlling, or not controlling enough. I have been told that we aren’t asking the right question (“who are you to say what we should be talking about?”). I have been removed from my role because what I was doing was far too disruptive to the group’s culture and norms of how they work, and in enforcing the disruption, I was actually depriving people of accessing the power they needed in the work.
(See the stories from Hawaii here and here and this story from Nunavik. Being an outsider with this power is perilous work.)
So yes, the terms we use to describe dialogic spaces matter. Finding a word to describe these spaces is important, and this is an important piece of critical pedagogy for anyone teaching dialogue and facilitation.
But don’t let your work rest on the definition of the space. Understand where these spaces come from. Actively work to invite more self-organization and emergence into these spaces that are in service of life, love and liberation. Become skillful at working with boundaries and attractors, limits and invitations, constraints that enable life rather than govern outcomes, and get good at knowing what kinds of relationships and constraints are the best fit for what is needed. That is what we need as we co-create spaces of radical participation and liberation and to transform the toxic use of power and control so we get more and more skillful at inviting us all into life-affirming moments and futures.
What do you think?
Part three in a series:
Part three: a collection of patterns for design and facilitation.
As I heard the story, the four fold practice was something of a flash of insight tied in with the original Art of Hosting offering made by Toke, Jan, and Monica. Somewhere in the forests of Northern California as the team was preparing to offer its first Art of Hosting training, somebody woke up one morning, after a few days of discussion and design with the strong sense that meaningful conversations had four things in common: people were present to the work, everyone was participating, the conversation was hosted in some way, and people co-created together. That’s it. It was, as the legend goes, drawn on the back of a napkin, which is the test of all useful frameworks, and it became the subject of an inquiry: so if these are the patterns that make up a meaningful conversation, what would the Art of Hosting Meaningful Conversations look like? Could we anchor our hosting practice on that? Could we teach that?
This simple observation and the subsequent inquiry has become a generative framework that holds together a global community of practitioners and theorists. We have seen that what constitutes a “meaningful conversation” in a huge variety of cultural and linguistic settings on every continent is a process that more or less exhibits these four characteristics. When brought together in the service of meaningful work these four patterns bring life and effectiveness to collective sense-making, problem-solving, and action. When attended to with good design and facilitation, these patterns become basic elements of the best kind of dialogue.
The ART of using these practices is being able to use them fluidly and fluently in many different contexts. Each of these four patterns looks different depending on the group you are working with and the work you are doing with them. It is very important that each group experience these patterns in ways that make sense to them. As skillful hosts we are trying to build containers for important and meaningful work. These containers are not the product of our role, rather they are themselves instruments that help good work to be done. The Art of Hosting is purely instrumentalist, in the sense that if the hosting is not practical and pragmatic and not in the service of something else, then it is not appropriate. Our goal as practitioners is not to simply create good dialogues for their own sake but to do so to have an effect, so we can be of service to a group.
Over the past 15 or so years of teaching and working with this art I have thought a lot about the connection between these patterns of experience and the practice of hosting. For me now, these four patterns have become the enabling constraints of my work with groups, in that I try to ensure that my designs meet the group’s purpose using this practice. The practices are broad enough that they allow for a vast array of approaches to be used so that designs can be tailored to context, but at the end of the day, it’s important to ask myself these questions:
- Are participants present?
- Is everyone participating?
- Is the space being held and hosted?
- Is the group itself co-creating its work?
In my experience, the extent to which these four conditions are true is directly related to the extent to which the group is doing good dialogic work. When I see goops faltering in their work, it is usually because one of these four patterns is crumbling. A group may lose its focus, some participants might be dominating in a way that causes others to become redundant to the process, the facilitation may be too tight or too loose, or the group may be having its work done by someone else. All of these conditions have the effect of undermining ownership, capacity, engagement, and participation. In general, when we are working with uncertainty or unknown futures, the four-fold practice is a useful checklist to enable groups to work together in complexity to understand what’s happening, make sense of their situation and make some decisions about what to do next, all the while staying connected and in relationship.
That’s a pretty big return on investment for such a small and portable practice.
Being Present
When I think back to the original learning I did around hosting and facilitation with the Elders of the National Association of Friendship Centres, and indeed before that in the governance processes of the United Church of Canada in which I was involved as a young man, I notice that important conversations were always preceded with a prayer or an invocation, or even a moment of silence before we got to work. For a conversation to be meaningful, every participant must be present to the task at hand. That means each one needs to have the time and resources to be able to participate. The work of the moment must be the only thing that holds people’s attention and so focus is important.
In later years, through the playing of Irish traditional music, which itself is a kind of social ritual and through spiritual practice influenced by both my indigenous teachers and the stream of practice that comes from Celtic monasticism, I observed and thought deeply about the nature of thresholds, which are those edges we cross that help us understand that we are in a different space, set aside for particular collective work that requires a little more depth of attention than our day to day activities. Practices to cross the threshold are very important in these kinds of spaces because they help us understand that we are in a different place and we are asked to bring a different awareness to what we are doing.
This is true of dialogue.
So whatever helps people come present to the work is a useful way to build the container for dialogue. It becomes almost ceremonial, and indeed the importance of ritual of some kind cannot be overstated. Even something as simple as taking a moment of silence before beginning, or having people silently read the relevant document together is a useful way to begin. Of course, more elaborate processes can involve more elaborate ways of bringing people to presence, but I have never been let down by a moment of silence. Even in the middle of meetings, when things are going sideways and conflict has become unproductive, a moment of silence can have a powerful effect in bringing people back to the problem or the purpose.
Whatever helps the group cross the threshold – be it physical or immaterial – will help participants come to the presence necessary to do deeper work.
Participating
In my own journey to develop the art of hosting in myself, one of the biggest mountains to climb was the idea that the facilitator is the one in charge of the room. For years I stood at the front of rooms full of people struggling with problems, asking questions, guiding discussions, commenting on ideas and writing them on flip charts. I was an influential part of the discussion, mostly unconsciously influencing decisions and discussions towards ideas and actions that grabbed my attention and excited me. It was all about me. Even though I was schooled on participatory research and Friere’s Pedagogy of the Oppressed, I was also raised and mentored by people who were training me to be a preacher in the United Church of Canada and the promise to the ego of commanding an audience was the hardest thing that I had to overcome. Indeed it is still the hardest place of my own facilitation practice.
Discovering Open Space Technology was an absolute revelation to me. It allowed me to see what was possible when the facilitator radically trusted the group and let them take full responsibility for the conversations and the outcomes of their work. Radical participation is at the heart of the Art of Hosting, and the practice itself is intended to constrain leaders and hosts in such a way that the groups do theor work within constraints but with a minimum of influence from the facilitator. This is often the hardest practice for facilitators to learn when they shift their style to hosting: we are generally imprinted its the idea that facilitation means the facilitator is taking control of the space, ensuring safety, managing the agenda, keeping things moving along and dealing with conflict. Many times clients have asked me to solve interpersonal problems for them, because we have an idea that we can outsource these kinds of things to a facilitator.
But we know that when a group takes responsibility for its own work when everyone is actively participating and making sense of their own situation, we get a much more sustainable and resilient outcome from dialogic processes. The job of the host is to enable participation through careful attention to the constraints and methods that make it possible. This means first of all that hosts themselves must have a practice of participation, meaning that they must be good at engaging in dialogue themselves: sharing Ideas, listening to others, being aware of their impact in systems. It means that hosts must understand that they are never neutral in a system, that the privilege, power, and influence they bring is significant and important. Learning more about complexity, power, and privilege has made me a better host and has deepened my practice of participation in the world.
There is a reason that methods like Circle, Open Space Technology, World Cafe, and Appreciative Inquiry have been fundamental to the practice of the Art of Hosting in strategic settings. These methods have full participation built into them, and participants actively share the responsibility for the quality of the conversation and the harvest of the outcomes. Furthermore, when practitioners in the Art of Hosting global community have created methods, they also ensure full participation from all, including methods like Pro-Action Cafe, Collective Story Harvesting, and Design for Wiser Action.
Participation is at the heart of the four fold practice.
Being Hosted
In the practice of Dialogic Organization Development, of which the Art of Hosting is one expression, there is a great deal of attention given to the “container.” Participatory conversations take place within a described time and place and a set degree of freedom. The container is formed from attractors like a core purpose, a calling question, or a felt need. It is constrained by boundaries like time, space, resources, and degrees of influence. The role of the host is to pay attention to the container so that participants can operate within this space. Sometimes this involves tightening constraints or destroying them altogether. It might mean inviting attention on a shared purpose again or moving with the energy of the group and changing course. It is a dynamic and ever evolving practice.
And yes, it is different from what most people understand as “facilitation,” which is that person standing at the front of the room managing the conversation ad scrawling away on flip charts. Years ago I wrote a blog post that sought to make a clear distinction between the two terms but it was really too stark a distinction. These days I’m not so precious about this and I use the terms interchangeably. The essence of the art of hosting for me though is attending to the properties of the container so that the group itself can do the work. I see the host as a part o the system but a part with a very specific role of managing constraints. Most often in my work, this is done as a consultant, with the power and responsibility to do this, but there are times when I am a part of a group that needs hosting and I turn my attention from the work at hand and focus on the quality of the container instead. It is, as my friend Tenneson Woolf often says, a gift to host and a gift to be hosted.
Being hosted well is indeed a gift, and is not that common. Think of how many meetings you have been to where your irritation with the facilitator has gotten in the way of the work you came to do. Some of those times may even have been with me as your host! Alos, think of the times when you were acutely aware that the LACK of hosting was a real problem, impeding the ability of the work to get done. Reflect on these experiences and contrast them with the experiences you had of the most meaningful work in your life. It is an almost certainty that these experiences were hosted – that is they happened inside a container that was built around mutual purpose,a common challenge, a relationship, or an opportunity to do something relevant. The hosting may have been extremely light, or it may have involved a tightly scripted flow. It may have been held by another person, or the group itself may have played the role of the host. Regardless, I am willing to be that the most meaningful conversations humans are involved in – and the most meaningful work – comes inside just the right enabling constraints. It is hosted.
Sometimes when I am talking about the four-fold practice I will say that this pattern is about enabling contribution, and I truly think that a well-hosted meeting sets up a kind of gift economy, where participants are offering and receiving in the best way. This doesn’t mean that folks are always getting along well, but it does mean that difference, dissent and conflict can be offered and received in the service of something bigger and not as a back and forth tennis match of accusation and closing down. Hosting is not something that happens without intention and a commitment to the role and so in spaces where hosting will benefit, to step up and do the work is to contribute to the emergence of this pattern.
Co-creating
The fourth pattern of meaningful conversation acknowledges that the best dialogues leave the participants with the knowledge and evidence that they have been creating something together. When things are truly participatory, participants can point concretely to the way that they contributed to the outcome. This is a rare feeling these days where both organization and community life is dominated by accountabilities that are more often than not pointed towards people in power or responsibility and not towards oneself or to the group of folks to which one belongs. There is of course some truth to this, but complex challenges require the participation and ongoing ownership of all in order to be sustainable. The feeling of having co-created something brings tremendous meaningfulness to a task and ongoing commitment to the relationship that will extend and sustain the effort.
Co-creation for me is a key piece of design in every way. I recently hosted a meeting with drug users, community members, service providers and non-profit leaders where we were looking at the stories collected about opioid use in a sensemaker project. It was obvious to me that the meeting needed to be co-created with people from all of these groups in order for it to be something that had some real efficacy. In the end, a network of peers offered the four main tasks for the day (review the stories to find patterns, discuss them with others, come up with bigger solutions, and leave with something concrete) and they also took responsibility for setting up safe space where people could use drugs or be supported if the stories triggered trauma. This was something I couldn’t do at all, and so I stuck to hosting the process and the peer network hosted the space. That is co-creation.
Likewise, when I am hosting, the group itself will be largely responsible for its own harvest of the gathering. That means data written or recorded in their own hands and voices, and it means that they make sense of the conversations they have had and even create the substance of the report of the proceedings. My basic principle is “never touch the data” and if there is ever a time I have to move post-it notes or write words about the event, I think very carefully about whether or not it is my place to do so. It is tempting for facilitators to show their prowess by synthesizing data, writing reflections and telling the group what happened in their reports. All of that, useful as it may appear to be, has a cost. It is your job to find that cost and determine whether it is a price you are willing you to pay!
So these patterns translate into a useful set of design and planning guidelines. They help us practice the art of hosting and keep meetings as participatory as possible. They also often guideposts for the development of practice of both facilitation and, at bigger scales, leadership.
Part of a series.
Part two: Where did this come from?
Something Harrison Owen said to me somewhere along the line drove me to understand that facilitating Open Space Technology meetings required a tremendous amount of personal practice. He talked about rising at 4am the day of his Open Space meetings and meditating for an hour. The work of actively letting go takes a tremendous amount of energy, especially if, like most of us, you have control instincts to overcome. When one is facilitating an Open Space meeting the desire to control things, even the little things, burns throughout the day. It takes active and constant personal work to deal with that instinct and to continually and kindly return responsibility for the quality of the day to the participants.
In seeking to learn more about this intersection between personal practice and facilitation I connected to Birgitt Williams during the years when she was beginning to develop the Genuine Contact program. I brought her to Vancouver a number of times in the early 2000s and also co-hosted the World Gathering of Open Space Technology facilitators in 2001 at the University of British Columbia. I found myself more and more in care of a simple method that nevertheless had profound effects on the groups with which I was working. Birgitt’s work very explicitly extended facilitation and leadership practice into spiritual practice and it was she who drove home the point that Harrison had made earlier, that one needed a strong personal practice in order to hold space well. Michael Herman, whom I met in person at the OSonOS in 2001, influenced me to begin to think about facilitation as practice, rooted as it was in his own meditation practice. He also was the one who helped me to draw the lines out from methods to context, concentrating on supporting the core mechanic of self-organization: the invitation. In 1998 he had already mapped out where all of this was going with his profound little e-book “The Inviting Organization Emerges.” Suddenly my own practice lit up. I understood that in order to be good at this stuff I was going to need to develop both a personal practice and get good at using maps and frameworks to help the clients I was now working with as a consultant.
By the time I met Toke in 2003, and he uttered those words, I was keen to find the next level of my facilitation practice.
Years later I learned that my friend Maria Scordialou had uttered the phrase “the river beneath the river” to name what many of us were feeling at that time in the late 1990s. The phrase referred to the sense that there was something happening beneath the surface of the organizational change initiatives methods that had sprung into the world in the 1980s and 1990s. Although already well known in many community development contexts, participatory work was coming into its own as organizations became more and more interested in the complex parts of their operations: the people and networks and markets and environments in which they existed and to which they could exert no explicit control. Chaos theory was beginning to come into organizational life and influence leadership and management and the rise of the internet was holding great promise for enabling horizontal and self-organizing networks. Many of us began to experience the powerful results of well hosted participatory meetings and we began to see that the ability to facilitate these
The origins of the Art of Hosting as a field of practice, as a framework and as a workshop are not completely clear. Back in 2007 an online discussion sought to discover the origins of the Art of Hosting and indeed it had multiple tributaries that flowed together at a few specific gatherings. A small group of people primarily based in Europe who had been working with participatory methods in the 1990s began to meet and discuss the question of “What could the Art of Hosting also be?” Although Toke, Monica Nissen, and Jan Hein were the first to offer an Art of Hosting workshop in San Jose in 1999, many of the people that have now become close friends and colleagues over the years were a part of these initial discussions. These folks include Tim Merry, Tatiana Glad, Maria Scordialou, Christina Baldwin, Ann Linnea, Bob Stilger, Teresa Posakony, Juanita Brown, David Isaacs, Tenneson Woolf, and Meg Wheatley.
As befits a practice that was beginning to emerge from a variety of streams, the Art of Hosting took shape at a number of gatherings at which like-minded practitioners were meeting. These happened primarily in Europe, at Castle Borl in Slovenia, Hazelwood House in the UK and a little later at the Shambhala Institute on Authentic Leadership in Halifax, Canada. The conversations at these places were deeply influenced by the sense that leadership was practice and that “hosting” was a form of facilitation that was radically participatory in its nature. The Art of Hosting, as a collective inquiry, was finding a home in some influential networks including the Pioneers of Change, the Kaos Pilots, The Berkana Institute and the World Cafe community, all of whom were seeking to develop dialogue, conversation and participation as a key skill to make sense of the complexity of the world’s 21st-century problems. These networks were responsible for the rapid global spread of the Art of Hosting, especially amongst young leaders and social entrepreneurs who were taking on a massive piece of work in which community building and collective co-creation were essential.
None of this history explains exactly what the Art of Hosting is, but it does explain why the simple generative framework contains four practices: hosting oneself, hosting others, participating, and co-creating. It is a framework that is widely adaptable to spiritual practice, entrepreneurship, leadership, citizenship and governance, development work of all kinds, and facilitation for complex challenges. Its simplicity combined with its adaptability has mean that the “Art of Hosting” has found a home in all kinds of diverse contexts from the European Union to a 20-year experiment in intentional living in Zimbabwe, to decolonization efforts in Canada, enterprise development in the USA, the regeneration of faith communities, land and local economies. It shows up in equity and justice work, academic leadership contexts, governments and parliaments. Anywhere human beings need to work together, make sense together, and act together around complex challenges where traditional command and control leadership is not appropriate has been a context in which the Art of Hosting as a practice has shown to be useful.
So what the heck is it? That’s the next part.