The golfer Scotty Scheffler, who just won The Open Championship, has made some waves recently with the interview he gave before that tournament where he talks about what is fulfilling in life. It’s not winning golf tournaments. In fact he expresses a little astonishment and confusion about why he does what he does, even though he is one of the best in the world at it. “You work all your life for two minutes of euphoria…” As a musician I can relate. We puts hundreds of hours of practice into learning a piece, only to perform it once, perhaps, for a couple of minutes of interesting music. And that’s not even counting the lifetime of work that goes into the training the voice, the fingers, the ear, and the heart to be able to perform competently enough to even be on a stage in the first place.
I was struck by the moment in his press conference where he says “am I making sense?” At that moment, I nodded, but clearly the golf and sports press gallery didn’t. And that is what separates artists from those who value the end line. As Alan Watts once said, if the result was everything people would only go to hear the final chord of a composition, or dancers would head to one spot on the stage and stay there. It’s a cultural error, which is what makes Scheffler’s comments seem so confusing, in a culture that worships the final result.
More patterns that are everywhere. Last week I shared a link about how the Golden Ration is over represented in our ideas about the universe. Today comes a beautiful article from Aeon which talks about the prevalence of the branching network (like a river valley or a bronchial passage) and the web (like neural networks or cosmic galactic clusters) and how they operate across scales. Interestingly in the article, the author Mark Neyrinck doesn’t seem to distinguish between networks with ends and those without. Networks where things arrive at certain places, and networks where they don’t.
I wonder if we are losing our ability to organize and work in networks at scale for social good. Here in North America we are very individual focused in terms of meeting needs and our current governments are most focused on creating the conditions for an efficient return on capital investments and concentration of wealth, following the long discredited trickle down theory of Neo-liberal economics. We are probably going to need networks of care, becasue the federal government is about to gut a number of public facing service personnel to pay for national defence spending and tax cuts. Most of these jobs are the liaison people that help folks with their federal pension plans, employment insurance, and federal taxation issues. The Department that serves First Nations communities and maintains Canada’s end of the bargain in terms of treaty benefits, stands to have substantial program cuts. This is one journey that is going to result in some dire destinations for vulnerable folks, newcomers, and Indigenous communities
Don’t build beautiful things that need to capture life before they are functional. Start with life.
It’s undeniable that in the time I have been publishing on the web (and before that on usenet and bbs’ dating back to 1992) we have seen a shift from protocols to platforms. Back in the day, people made protocols so we could all talk to each other, regardless of the platforms we used to do it. The web today runs on these protocols, which allows us to use all kinds of different platforms to communicate. Think email. We all use different email programs, but when I send a message, it gets to you regardless.
The enclosure of the commons that I wrote about last year is the fundamental shift in the way we communicate and talk to each other. It creates walled gardens of activity that regulates what happens inside and which limits connection to the outside world. I used to be able to publish my blog posts directly to Facebook for example, but that functionality was removed a long time ago. Facebook will not allow users in Canada to post hypertext links to media sites, which is a pretty reliable indicator that they want to own the web and not participate in it. Platforms limit possibilities and are driven by control. Protocols open up possibilities and enable self-organization and emergence.
Mike Masnick’s paper on Protocols,Not Platforms traces this history very well and makes these arguments for focusing on protocols that “would bring us back to the way the internet used to be.”
I came to Mesnick’s paper after reading an article in the New Yorker about J Graber and her involvement with Bluesky. I was struck at the parallels between the work I do with social technologies and the work that people are doing around social network technologies. When I first got into working as a facilitator, I focused on large group work (and I still do) and my focus was on the platforms of Open Space Technology and later World Café and Appreciative Inquiry and other methods of large group interventions.
These methods for large group dialogue are platforms, but what underlines them our protocols of organization and facilitation the protocol I use is the Art of Hosting, a simple four fold practice, which is applicable to a variety of contexts from meetings to structuring organizations to planning large scale change work. The art of hosting is a protocol that enables more collaboration, more creation, and more resilience among individuals and groups who are leaning into complexity and uncertainty.
On Friday, I’m going to talk about this more and I think I will use the Protocols, Not Platforms idea as the way to talk about how we do change work, and you could join us. The organizational development world is besotted with methods, and a good method for the right need is a good thing. All methods are context bound, however, so to really make change in complex domains, one need to be aware of the context for the work and rely on a context-free protocol to help engage and work. So if you join in on Friday you will learn about how context matters, how complex contexts in particular are composed, the simple protocol for working in complexity that is rooted in the four fold practice, and then maybe some stories of using methods that fit the need.
Detail from a quilt designed and made by the St. Andrews Anglican Church Women Quilter’s Guild. The quilt was made in 1967 in honour of Canada’s centennial year. Keen eyed observers will notice patterns in here that relate to that celebration. The quilt was on display at the Bowen Island Public Library earlier this year, on loan from Joyce Ganong whose mother, Isabel Faulks, was one of the quilters.
Another reflection from the Complexity Inside and Out course we taught yesterday…
Caitlin led us in a check in process that was about slowing down out seeing. Here’s a variation. Try it!
- Pick a view where there is some distance – looking out a window is best. If this is a familiar view, all the better.
- Notice the scene out there. Notice the colours, the landscape, the patterns. Notice movement and stillness. If the scene is familiar, look at what you know.
- You can close your eyes and remember what you see. How does that scene conjure itself up in your mind’s eye?
- Now open your eyes and look again at the scene. Try to notice something you’ve never noticed before or something that you’ve forgotten, or a change to the scene that you hadn’t noticed until now.
- Describe the scene now. Write down obersvations about what you see. What is the overall colour palette? What are the lines you see, of trees or buildings, horizon and sky. If you saw this scene in a flash, how would you recognize it?
You can add different variations to this exercise, but the point is to notice how we see things as patterns. Our mind conjures up a scene of large blocks in it and details aren’t always apparent. Sometimes we have to see things with new eyes, or a naive perspective.
I reflected yesterday that I was once walking through the forest here on my home island, following a path to the village with my brother who was visiting from Toronto. Bowen Island is very different from Toronto. He stopped us next to a very large Douglas-fir tree and said “Look at that! It’s huge!”
All the trees around here are huge, especially if you aren’t familiar with the forest. But I looked again at this tree – one I passed hundreds of times to and from the village – and noticed that it was actually an old growth tree. How could I tell? The pattern of bark is different, the branches are thicker and more gnarly and look like the trunks of younger trees. My brother’s eyes found anomalies in the pattern I had formed of my home forest, and I used my own pattern recognition skills to identify why the tree he spotted was an anomaly.
This, it turns out is an excellent thing to do when you are looking for other patterns in familiar contexts, like your business market or your team culture or the school system you work in or the services you offer to community. Be careful not to assume that the patterns you can see is the sum total of the reality available to you.
This isn’t new. But you can never over-practice awareness.
There is a neat game called Geoguesser that is based on the Google Street View database. You download the app and get started and it throws up an image from somewhere in the world and you have two minutes to guess where it is. The closer you get to the actual spot, the more points you get.
You’re not supposed to cheat by using Google maps to look up land marks. It entirely depends on the pattern recognition that you bring to the game. What language is that on the side of a truck? What does that street sign say? What kind of palm trees are these? Is that dirt road red or dark brown? Is that a white ring around the power pole?
Really good players of this game have thousands of details stored meaning that they can discern the location using macro clues first, and then narrow things down with decision trees, like how the shadows are cast, entire websites have sprung up devoted to these pattern markers that help people quickly identify the location. There are competitions culminating in the GeoGuesser World Championship. You can watch these competitions live. They are amazing.
And the kind if undisputed champion of this game is rainbolt, a man full of so many patterns, that his guesses are almost always pinpoint accurate.
Watch him host five great players finding obscure locations. They are engaged in constant pattern finding. It’s kind of amazing and it’s very cool to have them articulate the way they are seeing these landscapes. Specific knowledge helps them make generalizations and they connect what they know and use abductive reasoning to guess the location.
Back when I first experienced Open Space Technology, at a conference in 1995, the thing that immediately caught my attention about the process was how it was a perfect, simple set of constraints to enable self-organization. It sent me down a rabbit hole of learning about self-organization and complexity and I became captivated with the patterns I saw around me, and specifically with dissipative structures.
Ilya Prigogine coined the term dissipative structure. In layperson’s terms it refers to a structure that persists in time despite its components constantly changing. The classic example is a whirlpool. When you pull the plug on a bathtub full of water, the water forms a whirlpool as it head down the drain. The whirlpool is an emergent structure and a pattern that persists over time, held in place by constraints such as gravity, the size of the drain hole, and way bigger forces like air pressure and where you are on the planet.
If you just look at molecules of water, you would have no idea that they could form a whirlpool. The water molecules that drain out of your bathtub all participate temporarily in forming the whirlpool but none of them initiate it. When they leave, they have no memory that they were in it. You cannot take a random water molecule and discover whether it has ever gone down a drain. And yet, the pattern persists and is real. What gets dissipated is the energy and matter that travels through the structure.
In human systems, we see related kinds of structures everywhere too. Learning about these kinds of patterns, which I did initially through Fritjof Capra’s book The Web of Life, made me seek out analogues around me. The pattern of “dissipating structure” was interesting, and because I had focussed extensively on culture in my undergraduate studies, I finally had a useful way of looking at cultures and how they seemed to exhibit both stability and constant change. People, energy and material flow through the culture but they are entrained to behave in a larger scale structure that has some persistence, but which is also sensitive to changing. This was how I ended up coming to complexity theory, through my exploration of these ideas.
Cultures are not dissipative structures in the technical sense that Prigogine describes, and there seems to have been quite a bit of controversy over the years about whether social structures qualify as thermodynamic structures. Because I’m not a physicist I will say they are not, but this idea makes a good metaphor and helps me to explain how we work with emergent structures and persistent patterns in organizational and community life.
Seeing this pattern led me into the margins of participatory leadership work, facilitation, and ultimately dialogical organizational development. These ways of working were all concerned with creating the kinds of containers that enable emergent meaning. Sometimes these containers are temporary, like meetings, and sometimes they are persistent, like organizations, teams and communities. If you’ve ever tried to change an organizations culture you’ll recognize that it is very much like sticking your hand in a whirlpool. You’ll get some temporary disruption, but unless you change the enabling constraints, the whirlpool will reestablish itself the moment you stop interfering.
I think it was 1986-87 academic year that I truly fell in love with the idea of culture. That was the year I began my BA in Indigenous Studies at Trent University and it was during a time when Indigenous cultures in Canada were going through a generational resurgence after recovering from 100 years of state-sponsored cultural, physical and intellectual extinction. I was able to be a witness to communities and organizations recovering by growing deep into traditional practices, and younger generations receiving the teaching of Elders and using them to create new political movements, organizations, economies, governments, and health and well being in their communities. I loved the idea of culture as the ground for this work and loved watching people work with it, and indeed being a part of cultural shifts and and catalysis. Culture was like magic. It appeared bigger than all of us, it shifted and changed and it enabled things to happen. Or not.
I so fell in love with culture that I did an honours thesis in my fifth year that compared two national Indigenous organizations in their attempts to root their operations and structures in traditional cultures. One did it by using artifacts and trappings and firm structures that ended in arguments about orthodoxies and heartbreak, and the other did it by creating a relational, caring, and connected context in which a unique but thoroughly Indigenous way of being emerged.
So early on I learned that culture is emergent, that it transcends individuals and specific artifacts and practices, that it is a context that shapes relationships and behaviours and that it is the product of relationships and interactions over time. Norms of behaviour can’t be dictated, they can only arise.
Since then I would say that the heart of my work with organizations and communities has been working with culture. The sources of joy and the sources of pain are the multiples contexts in which we live our lives. I’ve worked in one-off settings and multi-year large scale systemic settings. I’ve worked with large teams and with little groups of change-makers. And we’ve tried it all, from magic methods to the “this will finally solve it” conference, to multi-year narrative sense-making projects. I’ve spent decades surfing the rise and fall of supporter culture around the soccer teams I’ve been a part of. I’ve spent nearly 25 years living on an island with its own unique slant on the world, creating social enterprises, supporting community economic development and making community through music and play.
About a year ago on the Art of Hosting Facebook group someone asked about changing culture in a very large organization and which methods are best. For some reason that post appeared in the feed that I rarely check, and I responded to it. But because I’m never going to send you to Facebook, I thought I would catch this sketchy set of insights and share them here. This is a back of the napkin kind of list, but these are truths that I will no longer doubt in my work with organizations and communities. So here’s what I’ve learned about “culture change.”
- It takes years.
- Your work will be non-linear and unpredictable.
- All states are temporary.
- If it is necessary for senior leaders champion and support change work, it will only be sustained as long as they don’t succumb to their anxiety and fear of uncertainty and unpredictability.
- You cannot change culture directly, but you can work to change the way people interact with one another and see what kind of culture emerges as a result.
- Learning together is often a good way to approach many different strategic and cultural issues in an oblique and open way.
- If change of any kind in the organization or sector is predicated on the people needing to transform and be different then you are colonizing people. Don’t do that.
- Whatever you think is happening is only ever a part of the full picture.
- Whatever you think you have accomplished is only ever a piece of what you have actually done.
- It will never go according to plan.