Part four of a seven part series on the Seven little helpers for dialogue and action Part 1: Presence Part 2: Have a good question Part 3: Use a talking piece 4. Harvest Back in 2008, SIlias Lucius, Monica Nissen and I gathered at Phil Cass’s house in Columbus, Ohio and talked about the Art of Harvesting. Monica developed this practice because she found herself often as the “secretary” in participatory processes, typing up notes, clustering ideas, graphically recording landscapes, and generally making sense of the conversation. This was great for her, but she realized that the group was deprived …
My friend and colleague Bronagh Gallagher and I are in the early stages of creating a learning offering around complexity, facilitation and activism, whereby we try to bring complexity and participatory tools to the work of social change. We’ve been assembling some very interesting sources for our work and she recently introduced me to the work of Micah White who has written about protest and activism from a complexity perspective. I’m working my way through some interviews he gave in support of his book, The End of Protest. Here is one juicy line: This is fundamental. All effective forms of protest …
Recently in BC, we have a had a child die in the care of the state. This does happen from time to time, and when it does a process is triggered whereby the Representative for Children and Youth lanuches an investigation and makes recommendations which usually result in more rules and procedures to govern the child welfare system with the express purpose of never having it happen again. I work closely with child protection social workers in BC and there is not a single one I know of whose heart does not break when something like this happens. Everyone wears the …
My son has been working on a project for his grade nine year. At his middle school, graduating students are required to complete a year-long project called a MasterWorks. Finn has chosen the reconstruction of a downhill bike skills park. Earlier this year, our local government flattened the one we had without consultation, and Finn has been part of the team leading the charge to rebuild it in a different location. My dad has been active in his community working on developing a dog park and also helping the village with it’s official community plan. As a result, he has …
Over the past 15 years First Nations artists in Canada have taken to hip hop as a powerful storytelling method. First Nations hip hop is an incredible blend of traditional art forms, evocative imagery and raw and real exerpience relayed with a beat. It’s as if hip hop was built for indigenous expression – being story based, status informed, poetic and underscored with a heartbeat. I have a bunch of friends in this field including Skeena Reece, Jerrilynn Webster, Manik1derful, Rachel Oki, Wasaskwun Wuttunee and others. Beat Nation was an exhibition of indigenous hip hop artists that closed in …