Innovation does not come without discarding ideas, trying and failing. In complex systems with complex challenges, failure is inevitable and desired. If we need to prototype to sense our way forward we have to have a mindset that can handle failure. On Saturday at the Art of Participatory Leadership in Petaluma my new friend Shawn Berry convened a session on failure and through listening to stories ranging from small prototoyping failures to business breakdowns and even deaths, I noted a few patterns that are helpful for groups and people to address failure positively nd resourcefully Frame it up. In North …
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Some of my friends and I with in the Art of Hosting community create poems from our work as a kind of harvest, a way of listening to the voices shared in a circle and reflecting back to the group, it’s wholeness using the words of those in the room. The poems are written on the spot and read into the room, slam style. Such poems evoke energy, and honour the whole. We call these “dialogue poems.” Here is the one from yesterday’s check in in Montreal with our core hosting team… Hosting team Check in poem Where did you …
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Nice little video which demonstrates factors which enable creativity and those which impede it.
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I used to be a huge fan of Anthony Braxton back in the day. Braxton is an unapologetic free music practitioner, a brilliant composer and improviser and a disruptive influence in the world of American music, and jazz in particular. Here is a a lovely piece from him talking about the difference in perception between white men and black men striving to express an individual voice in contemporary America. Beyond race, this also speaks to the marginalization of creative work in a world dominated by a mercantile world view: FJ: Why is it that a white man striving for individuality …
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In this article, stringing together some obersvations about Louis CK and Mary Halvorson, Seth Colter Walls touches on the wellspring of collaboration. He writes a little of the play that replaces rehearsal for true improvisers, of finding outlets of artistic practice where “no one person is responsible for all the tunes–if tunes are even the order of the day. Such groups aren’t the ones that players use as reputational tent-poles; they’re the ones that successful artists keep going in order to keep the channel for new sounds open. It’s the jazz-world equivalent of Zach Galifianakis’s avant-chat Web-show “Between Two Ferns,” …