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The basic invitation to the Art of Hosting community of practice

March 21, 2016 By Chris Corrigan Art of Hosting, Invitation

Depending on who you ask, the Art of Hosting as a community of practice has been around since about 1999.  Since that time, it has evolved and morphed and changed and developed.  It does so based on the inquiries that come from practice and that are captured in the workshops that are delivered by various people all over the world.  It is a community and a movement of learning that I have never quite seen the likes of, although I am sure that there are others.  It focuses on dialogue, participatory leadership and making tools for these things accessible to everyone, while at the same time disrupting the field of facilitation with strange terms and language and ideas that are drawn from everything from organizational development, to sociology, psychology, anthropology, complexity theory and a variety of spiritual paths and experiences.

It’s is really hard to pin down, so I appreciate the efforts of the researchers out there who have been trying to understand the shape of this morphing mycellium of a community.

Elizabeth Hunt (@elizpercolab) is one of these researchers.  Grounded in Frierian pedagogy, she has just submitted her Master’s thesis in which she explores the Art of Hosting pedagogy. Her research was based in interviews, reading and through being a practitioner with percolab in Montreal, one of my favourite groups of professional colleagues in my network.  (Full disclosure: I really love these guys!). In her thesis she identifies four assumptions that underlie the bigger invitation that the Art of Hosting embodies:

  1. We are living a crisis of immense complexity;
  2. Finding appropriate solutions requires us to shift our thinking;
  3. Dialogue enables us to access collective intelligence; 
  4. We can identify and learn from recurring patterns in our work

The more I look at these assumptions, the more I recognize them in my work.  I can reflect on how each of these live in me and my work.  The crisis I feel drives the urgency of my work, but it’s probably a different version of the crisis than it is for you.  The shifts in thinking for me reflect my own shifts in thinking.  I try to embody the changes in mindset that I speak up for without becoming an evangelist and a fundamentalist.  that’s a hard line to tread when I believe so strongly that complexity thinking and conscious action are critical for survival in this world at any scale.

I also have often said that “I might be wrong, but I’m basically staking my life on the idea that dialogue is the social technology we need to all become good at.”  At this point in my life, I’m pretty far down that road, and I’m not sure I’m going to be doing much else in the next half of my life.  So that’s my bet.  You go ahead let my epitaph be a pithy assessment of how well that worked.

And finally on the fourth assumption, I think the dynamic nature of this is what keeps this community of practice so rich for me.  It is always changing and the patterns of dialogue are shifted by context, technology, thinking and the new challenges.  Showing up at Occupy Wall Street is as illuminating for me as watching a Trump rally, helping organize participation in the supporter’s section of my beloved Vancouver Whitecaps FC, or sitting in the Snug Cafe here on Bowen Island, kicking around ideas with my neighbours.  It is endlessly fascinating to see how participation, dialogue and leadership intersect.  The richer my experience observing and experimenting in a variety of contexts, the more I learn.  And that’s what makes this a worthy pursuit for the rest of my life.

So a huge thanks to Elizabeth for this research and being a high level observer of our community.  And good luck with the thesis!

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New version of the chaordic stepping stones

March 18, 2016 By Chris Corrigan Design, Featured, Organization

Over many years I have been using the chaordic stepping stones as the basis for all work I do with clients.  This is a tool that I first heard of in the Art of Hosting community in about 2004.  It was originally based on the chaordic lenses that Dee Hock developed to design organizations that took advantage of both order and chaos.  It has been useful and rich and created all kinds of outcomes that would not have been possible other wise.  

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PLUME: five principles of harvesting

March 16, 2016 By Chris Corrigan Art of Harvesting, Art of Hosting, Design, Emergence, Evaluation, Facilitation, Featured, Learning, Open Space, World Cafe 3 Comments

 

This morning we began our Harvesting and Collective Sensemaking online course.  Rowan Simonsen, Amy Lenzo and I were really excited to be able to share our first little insights with people, and especially this new mnemonic that we created to capture five key principles of harvesting practice: PLUME. We are excited to introduce this into the world.

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The urgency of the moment: why need matters

March 14, 2016 By Chris Corrigan Art of Hosting, Design, Featured, Leadership

Martin Luther King’s famous “I Have a Dream” speech is best known for his statements of possibility and the energy with which he concluded his remarks.  It is a compelling call to purpose, to a world in which the future is only currently imagined.  It provided a generative image of what is possible, if not what is attainable, and it did what a good purpose does: it helped take the place of a charismatic leader.  Internalized, that purpose drives the movement.

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Intervening in a complex system: 5 Ps

February 8, 2016 By Chris Corrigan Art of Harvesting, Art of Hosting, Complexity, Conversation, Design, Emergence, Evaluation, Featured, Leadership, Stories

When I was up in Whitehorse last week I got to spend time with folks from the Public Service Commission discussing a project that would see us looking at discriminations in the workplace from a complexity angle.  Using Cynefin and SenseMaker(tm), we hope to understand the ways in which the landscape of discrimination shifts and changes over time so that the PSC can make wiser decisions about the kinds of initiatives it sculpts.  One of the problems with diversity initiatives in the public service (in any large public organization really) is the feeling that they need to be broad based and rolled out to everyone.  This usually results in a single initiative that spreads across the whole organization, but except for a little awareness raising, does little to address specific instances of discrimination.  Everything from awareness raising “cultural competency training” to zero tolerance accountability measures have limited effect because a) discriminatory behaviour is highly context and situation dependant and b) the public service has a permeable boundary to the outside world, meaning ideas, behaviours and people move between the two contexts all the time.  The larger your organization, the more like the real world you have to be.

At any rate, I took a bit of time to do a mini-Cynefin teaching to explain how strategy works in the complex domain.  and my friend Pawa Haiyupis and I added two Ps to my concentric circles of intervention in a complex system.  So to review:

  • Patterns: Study the patterns in a complex setting using narrative capture and sense-making.  This can be done with the SenseMaker(tm) software, and it can also be done with dialogic interventions.  The key thing is to let the people themselves tag their stories or at the very least have a group of people reviewing data and finding patterns together.  For example, you might notice a correlation between stressful times in an organization and an increase in feelings of discriminatory behaviour
  • Probe: Once you have identified some patterns, you can make some hypotheses about what might work and it’s time to develop some safe to fail probes.  These aren’t meant to be successful: they are meant to tell you whether or not the patterns you are sensing have developmental potential.  Failure is entirely welcome. What if we offered stress reduction activities during high stress times to help release pent up feelings? We want to be okay with te possibility that that might not work.
  • Prototype: If a probe shows some promise, you might develop a prototype to develop a concept. Prototypes are designed to have tolerance for failure, in that failure helps you to iterate and improve the concept.  The goal is to develop something that is working.
  • Pilot: A pilot project is usually a limited time proof of concept.  Roll it out over a year and see what you learn.  In Pilot projects you can begin to use some summative evaluation methods to see what has changed over time.  Because of their intensive resource commitment, pilot projects are hardly ever allowed to fail, making them very poor ways of learning and innovating, but very good ways to see how stable we need to make an approach.
  • Project/Program/Policy: Whatever the highest level and most stable form of an initiative is, you will get to there if your pilot shows promise, and the results are clear. Work at this level will last over time, but needs regular monitoring so that an organization knows when it’s time to tinker and when it’s time to change it.

Cynefin practitioners will recognize that what I’m writing about here is the flow between the complicated and the complex domains, (captured by Dave Snowden’s Blue dynamic in this post.)  My intention is to give this some language and context in service organizations, where design thinking has replaced the (in some ways more useful) intuitive planning and innovation used in non-profits and the public service.

Since October, when I first starting sketching out these ideas, I’ve learned a few things which might be helpful as you move through these circles.

  1. Dialogue is helpful at every scale.  When you are working in a complex system, dialogue ensures that you are getting dissent, contrary views and outlying ideas into the process.  Complex problems cannot be addressed well with a top-down roll out of a change initiative or highly controlled implementations of a single person’s brilliant idea.  If at any point people are working on any stage of this alone, you are in danger territory and you need another pair of eyes on it at the very least.
  2. Evaluation is your friend and your enemy. At every stage you need to be making meaning and evaluating what is going on, but it is critically important to use the right evaluation tools.  Developmental evaluation tools – with their emphasis on collective sense making, rapid feedback loops and visible organizational and personal learning – are critical in any complexity project, and they are essential in the first three stages of this process.  As you move to more and more stable projects, you can use more traditional summative evaluation methods, but you must always be careful not to manage to towards targets.  Such an error results in data like “We had a 62% participation rate in our diversity training” which tells you nothing about how you changed things, but can shift the project focus to trying to acheive a 75% participation rate next cycle.  This is an especially pervasive metric in engagement processes. And so you must…
  3. Monitor, monitor, monitor. Intervening in a complex system always means acting without the certainty that what you are doing is helpful.  You need data and you need it on a short term and regular basis.  This can be accomplished by formal and informal ongoing conversations and story captures about what is happening in the system (are we hearing more stories like the ones we want?) or through a SenseMaker(tm) monitoring project that allows employees to end their data with a little data capture.
  4. These practices are nested, not linear. An always to remember that this is not a five step process to intervening in a complex system.  In a large organization, you can expect all of these things to be going on all the time.  Building the capacity for that is a kind of holy grail and would constitute a 21st century version of the Learning Organization in my books.

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