I think we are living in a time when every emotion we are capable of generating is seen as a potential for making money. Our loyalty is co-opted by brands. Our anger is co-opted by politicians who channel it towards groups they scapegoat and then ride in as saviours of our condition. Our sense of reverence is owned by Hollywood, who exploits it for the latest superhero movie. Our love is sucked up by celebrities who are ciphers for the qualities in ourselves we can no longer recognize.
The most disempowering thing you can do to another human being is rob them of their ability to love themselves, not in a narcissistic way, but in an authentic acceptance of who they are, full of gifts and flaws and unique ways of seeing the world. There is nothing more dispiriting I think than being unable to love yourself. You think you are never capable of loving others or being loved. And all the while we tap “like” and “love” on our social media accounts and take the dopamine hits from pixels flying from one user to another through the filter of a money making machine.
So yesterday, when I saw this thread tweet, it stopped me in my tracks:
RuPaul’s been telling us for years, “If you don’t love yourself, how the HELL you gonna love anybody else?”
And we agreed.
But then, Lizzo switched it up in her Tiny-Ass Desk Concert. She said, “If you can love me, you can love yourself.”
And I can’t stop thinking about that.— Angela Mayfield (@pinkrocktopus) July 30, 2019
I was struck by how that one almost throwaway line at the end of the performance became a full on sermon for Angela Mayfield. That’s a wicked perception. And following along a little further, I clicked through to the link of Lizzo’s Tiny(-Ass) Desk Concert and could not stop smiling for 17 straight minutes, which you should do right now.
Lizzo is right. If you are capable of loving someone else, or even shouting out at a concert “I LOVE YOU!” then you are indeed capable of shouting it at yourself. It’s a reminder of me to not be exclusively directed my emotions outward, but instead to notice how love, anger, loyalty, and reverence can be a healthy part of my inner life, and not merely directed outwardly all the time. In an era where we project ourselves into the world through media like this, where our images, words and thoughts are put outside of ourselves first and foremost, thereby separating us from our feelings, Lizzo’s small invitation is a powerful reminder to me to take it all in too.
I’m just coming home from a couple of days in Victoria where Caitlin and I were with colleagues Rebecca Ataya, Annemarie Travers, and Kelly Poirier. We spent two days working on what I can only call “polishing the core” of the Leadership 2020 program that we offer on behalf of the Federation of Community Social Service of BC. We have run this leadership program for 8 years now, putting around 400 people through a nine month intensive program of residential and applied learning. The program has built collaboration, trust, and connection between the Ministry of Children and Family Development, indigenous communities and organizations and people working in the social services sector.
The program has evolved with every one of the 13 cohorts that has come through. Our core team has changed and this new configuration is our latest version. We are playing with a new set of constraints and ideas as we take the core need and purpose of the program and discover other ways we can offer it to meet the demand in the sector for leadership training that strengthens resilience, creativity, and the ability to thrive in complexity.
When we arrived on Thursday morning to begin our work, we had no agenda on tap, but instead had a compelling need. We started talking and discovered the path as we went being very careful to harvest. Our insights emerged in very deliberate conversation. As skilled dialogue facilitators, we are also skilled dialogue practitioners and we have a refined practice of hosting and harvesting our own work. When we get in flow, it feels like ceremony. With attention to a practice, working this way is extremely productive. Here are a few principles that I observed in working this way:
- Tend to relationships. As we were both building a new team and developing new ideas and products for our work, the most important focus in on relationships. We always build in social time in our work, and enjoyed a nice dinner out at 10 acres bistro, an excellent local foods restaurant in Victoria.
- Nourish bodies and minds. Working like this is physically and mentally draining, and we are very careful to nourish each there when we are working. This meant good snacks (bananas, nuts, and chocolate), ample time for tea and coffee breaks, a lovely prepared lunch by Rebecca and physical breaks to walk, or maybe even dance to Beyonce songs a little!
- Don’t silo the conversation, but structure the harvest. Our conversation wandered from program content, to context, to history, to practicalities, to new ideas for structure. We were all over the map. But as we went, Caitlin made good use of our supply of post it notes and we harvested into the Chaordic Stepping Stone categories that we are using the structure the evolution of the program. Sometimes the best hosting is good harvesting, and Caitlin took on that role beautifully.
- Don’t control the outcome. It sounds almost absurd to think that we would have controlled the outcome. Pure dialogue is about following the energy of the conversation and seeing what emerges. There was no facilitation tool used beyond the ability to listen carefully and address the need and purpose of our work. We stumbled on many beautiful ideas over these past few days and we constantly look for ways to incorporate them in our work. This leadership program has the quality of a polished gem, reflecting years of attention to what is needed, and what is no longer needed.
- Stay with the flow until it doesn’t flow anymore. In Open Space we talk about the principle of “When it’s over it’s over” meaning that all creative work has a rhythm and flow to it. When the brains are no longer engaged and the mental and cognitive tiredness sets in, it’s time to stop. Two intense six hour days of work can produce tremendous results, but when the flow stops, there is no point forcing it. Wrap it up, make a date for some next steps and celebrate the work.
Working like this has the feeling of working with the simplest and most ancient way of talking about what to do. For tens of thousands of years, this is mostly how humans have talked about need and purpose in the world. Long before there were professional facilitators and methods for strategizing, decision making and evaluating, there was dialogue.
Sometimes all you need is a powerful need and purpose, solid relationships, a good way to listen, and time. When it takes on the feel of ceremony, you know you’re getting it right.
The Art of Hosting is predicated on a very simple set of practices which we call the Four Fold Practice. This framework emerged from a conversation in the late 1990s between Toke Moeller, Monica Nissen, Carsten Ohm and Jan-Hein Nillson about what patterns make for a meaningful conversation. After talking about it for days, the clarity that arose was that people experience meaningful conversations when they are present, when they participate, when they are hosted and when they co-create something. Simple.
The next question then became, what if these four patterns were actually practices that could be cultivated both by individual leaders/facilitators and by groups? What would that be called?
The answer was, “That would be called the art of hosting.” And so a collective inquiry was born that has spread around the world and been taken up by tens of thousands of people working in all forms of leadership, organization, and community.
I sometimes feel that the four fold practice doesn’t get the attention it deserves. Sometimes people can confuse the Art of Hosting with the methods we use or the way we harvest conversations or the tools that help us design things. But that’s not what it is. The Art of Hosting, at its deepest essence, is these four practices.
Today we are beginning an Art of Hosting workshop with some community foundations in British Columbia and tonight we began by introducing the four fold practice in some depth, because when all else fails, coming back to these practices will at least remind you how to invoke patterns that make engagement and dialogue meaningful. We began by telling the story of the practice and where it came from (you can learn a bit about that here) and then we led people in a simple exercise to explore it.
Getting into pairs we asked people to spend 5 minutes on the question “Which of these practices are you strongest on, and what’s a story about that?” We heard a bit in plenary about what was strong with folks, and there are lots of assets and experiences in the room
Then we asked people to talk about which of these practices they were weakest on and what they were eager to learn about. These learning questions were captured on index cards and placed in our centre where we will use them to focus our teaching and inquiry over the next three days.
It’s a simple way to dive into these practices, acknowledge that there are lots of ways to come into an Art of Hosting workshop, and build on the strengths that people have. And it allows us to discover the learning agenda in the room and tie it to the practice. It’s a rich harvest.
Erich Fromm studied love and connection as his life’s work. Along the way he was able to study and learn about the art of some of the core capacities of loving.
From a blog post today on Fromm’s work, comes this simple set of principles for deepening the art of listening (in his own words):
- The basic rule for practicing this art is the complete concentration of the listener.
- Nothing of importance must be on his mind, he must be optimally free from anxiety as well as from greed.
- He must possess a freely-working imagination which is sufficiently concrete to be expressed in words.
- He must be endowed with a capacity for empathy with another person and strong enough to feel the experience of the other as if it were his own.
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The condition for such empathy is a crucial facet of the capacity for love. To understand another means to love him — not in the erotic sense but in the sense of reaching out to him and of overcoming the fear of losing oneself.
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Understanding and loving are inseparable. If they are separate, it is a cerebral process and the door to essential understanding remains closed.
Over the last few months I have been hosting gatherings among groups of people that have some conflict, which isn’t at all unusual. These aren’t acute disputes but rather long simmering cultural characteristics of exclusion, mistrust and a loss of meaning in work. These are natural rhythms of organizational life and they require intentional interventions. Instead of addressing the conflict head on however, the designs of these gatherings has focused on creating shared work that requires people to be listening to one another with presence and attention, in unusual groupings, focused on things like overarching principles to guide big organizational work.
I can see that when more people are working situations that need intense and engaged listening, they are better able to overcome the low grade malaise and dissatisfaction. It sharpens the awareness of one’s own role, and sharpens the attention on what others have to offer. Sharing perspectives alone is a key route to overcoming those kinds of low grade conflict that seem to eventually sneak into to all aspects of organizational and community life.
Over the past few years, I have been thinking a lot about what it means to develop artistic mastery in facilitation/hosting practice. It’s an important topic to me because I teach this work, and it’s not always easy to design deep learning when people are expecting to become instantly good at facilitation after a single workshop.
The Art of Hosting is a practice founded on tools, rooted in theory. It takes time to understand and integrate this practice and become masterful at it. I often draw parallels between learning the practice and development of mastery in the arts.
Today I was sharing my experience in a kind of cheeky way with some other Art of Hosting stewards, and I wrote the following, which seems helpful:
The 14 steps of the artist’s journey to mastery (based on the last 30 years of my experience)
1. Cultivate the desire to create beauty
2. Discover a medium for doing so
3. Seek the teachers who can teach you how to use the tools of your medium faithfully
4. Use the tools faithfully to make simple things.
5. Ask why things work and why they don’t
6. With that knowledge, modify your tools to do what needs to be done beyond simplicity.
7. Discover the limitations of your tools.
8. Become a tool maker
9. Take on apprentices and teach them to use the tools faithfully to make simple things
10. Take on apprentices and help them reflect on why they are succeeding and failing.
11. I don’t know…I haven’t got there yet
12. Unimaginable to me, but I see it.
13. Wow.
14. The unrealized ideal master that I aspire to become, should I be given more than one lifetime to do so.Along the way, be aware of the following:
- self-doubt
- errors at different scales
- mistakes and regret
- joy and surprise
- the desire of others to learn from you
- the feeling that you have nothing to offer them
- times of steep learning and times of long periods of integration
- waxing and waning of inspiration
- Rule 6a applies at all times (an inside joke: Rule 6a is “Don’t take yourself too f*cking seriously)