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Category Archives "Art of Hosting"

Seven Little Helpers for dialogue and action: Part 2 – Have a good question

August 12, 2019 By Chris Corrigan Art of Hosting, Being, Design, Facilitation, Featured, Leadership, Practice 9 Comments

Part Two of a seven part series on the Seven little helpers for dialogue and action

  • Part 1: Presence

2. Have a good question

One of the most common questions I get asked is “how do I come up with a powerful question?” My answer is “it depends.” There are some great guides to there to making great questions, (like ORID, Strategic Questioning or The Art of Powerful Questions) but when it comes down to it, my own practice is fairly intuitive. Here are a few guiding principles I use when creating good questions.

Know where you are in the process. Good dialogue proceeds from a good question, and a good question is dependant on the context of the work. When we are working in complex situations we can derive questions from the three phases of adaptive action: “What?” “So What?” and “Now What?”

Questions that get at “What?” are questions that help us to see what is happening. They orient us to the context of work. “What is going on here?” can be a perfect question to elicit stories and perspectives on a situation. Such stories and perspectives – especially when gathered from a diversity of voices and experiences – give us a rich set of data from which to ask more questions.

“So What?” questions are all about sensemaking. They ask us to look at data and discover together what it means. Given an understanding of one’s context – even an inevitably incomplete understanding – it’s possible to ask questions about where we want to go, what we want to do, or what needs to be changed. It’s often tempting to start with these questions but in the absence of at least some data, conversations around sensemaking questions devolve into aspirational wish lists or ungrounded conflicts of opinion.

“Now What?” questions are the ones of strategic intent. These are ones that require us to make decisions and to act to respond to the sense we made of our current context and do something about it. Sometimes we need to choose one direction to go in. Sometimes we need to send out exploration parties to discover promising pathways forward. Either way asking “now what do we do?” is a move that can only come after we have made sense of a situation.

Ask a question that no one can answer alone. Perhaps it goes without saying, but a good conversation is not a cross-examination, where one person has an answer and they try to elicit that answer from another. It constantly surprises me how frequently people in power “engagement wash” projects by giving the illusion of curiosity or openness while they hide the fact that their mind has already been made up. In Canada such action is technically illegal when it comes to consultation with First Nations with respect to infringing Aboriginal rights. Resource companies and governments regularly get called to account by the courts for pulling this trick.

At the very least I find this practice unethical and it leads to distrust, anger and apathy. As a professional facilitator I sometimes get asked to lead these kinds of processes and my response is to work with the client to be clear and honest about what is one the table for discussion. In a surprising number of cases I have had clients refuse to shift their stance, and in a couple of cases I have actually had people ask me to lead engagement processes that would lead the participants to a pre-determined conclusion. Those are immensely satisfying clients to fire. I only despair to know that there is often someone out there that will do the work regardless.

Just be honest about what you don’t know and go and find people to talk to that are smarter or more experienced that you are. I guarantee when you approach people with questions like that the honour and respect you afford them will create a great conversation.

Keep it simple and let the group add the depth. There is a romance about the beautiful and powerful question. Think of Mary Oliver’s question “What is it you plan to do with your one wild and precious life?” That is a beautiful question, aesthetically gorgeous, a small poem in itself. But for me such a question inspires awe and appreciation but not an answer. That may well be the kind of question that you can live into, but it is not necessarily a practical question for strategic work. Don’t get me wrong, as a person with a contemplative practice I love these kinds of questions. They give me a chance to reflect on my life; I can live them in the way that Rilke invites us to live a question.

But for a conversation in a meeting, keep your questions simple and let the group bring the depth. One of the best World Cafes I ever ran was a three round affair in which we asked the question “we are halfway through this retreat. What do we need to talk about now?” Another time, in a deeply conflicted community I asked “What the hell is going on?” These questions had the effect of opening a little space for the real conversations that were already happening to come into our process. The questions were simple, the conversations were powerful.

What are your own reflections and principles on creating good questions?

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Seven Little Helpers for dialogue and action: Part 1 – Presence

August 9, 2019 By Chris Corrigan Art of Hosting, Being, Design, Facilitation, Featured, Leadership, Practice 6 Comments

As the story goes, my buddy Tenneson Woolf sat down with our teacher and friend Toke Møller, and with all the depth of his legendary commitment to simplicity he asked this question: “Toke, if I had no tools or methods, but needed to hold an important conversation, what’s the ONE thing.I could use.”

And Toke thought for a moment and said “Presence. Just bring your full presence to the situation. Oh, and have a good question…oh….and…” What followed was short list of seven little things to stick in your back pocket that you can pull out to use anytime you need to stop and host a conversation.

Over the past few months I’ve been reflecting on these little helpers. They are both a very easy way into the practice of the Art of Hosting, whether you are using it for facilitation or leadership. And as I’m giving some thought lately about how to introduce these ideas in different languages and cultural contexts, I’m returning to the simplicity of these original seven basic tools, but I’m unpacking them and using them as a way to reflect on my practice. I think these might make a very good foundation for a particular kind of facilitation workshop.

So here they are, expanded, in an updated form, and with some new thoughts. This will be a series of seven posts, so please follow along and reflect with me as we go.

1. Be Present

When we are facing uncertainty and especially when the situation is complex the wisest thing we can do is to be still and open our senses to what is going on. This is both a personal and a collective practice. For me personally it means listening, watching, noticing what I am feeling. Becoming present helps me to sense the situation. It allows time to make a connection between our observations of the context and what we know to be true. It also allows us to wonder a bit about what we’re seeing and to file that in the “ask more deeply about this” bucket. As pattern finding creatures we look for the familiar first and when the context is uncertain we need to quickly scan for that which is unfamiliar too. The beginning of this work of Hosting conversations that matter comes from the practice of recognizing the unfamiliar in a sea of things that seem to make sense. It is not what we know that causes us to feel uncertain. It is the new and novel, perhaps even the easily dismissed that calls our deeper attention – a kind of unsettling dissatisfaction with the status quo – into play.

Being present allows us to linger in the unknown for a while and to take time to name it as a space of unfamiliarity. It also allows us to identify in ourselves what is trembling, worrying, disconcerting. My inner emotional landscape can provide a reliable set of signals and warnings, but without being quiet and still for a bit it can also provide a very unreliable set of responses to those signals.

Just as presence is a critical personal practice, it is also one that is important to do collectively. At the beginning of all conversations that matter I take a moment to bring people present to the work we are doing, provide a clear break from one context to another, and invite them fully into the work at hand. We often take a moment in silence to reflect on the work. I create a certain and clear threshold to cross before we begin.

In the work of confronting uncertainty, becoming present helps to ask the question “what is going on?” Which is always the first question to ask to orient a group’s attention to the task at hand. As we gather answers and reflections on that question, we can also look at how those insights work on us as a group, where we have fragility around the situation, where we need to be challenged, or where we are resourceful and clear.

Becoming present is the first tool to use but it is also one you can always come back to. When conversations are difficult, when emotional tension is high, offering a moment of silent presence is a generous act. It allows people to go inward and find their own wisdom in the situation. It can allow people a chance to let the adrenaline flow through their system and bring their senses back on line. It has saved many a tense conversation for me and helped me deal with situations that take me right out of my good mind.

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Complexity facilitation competencies

August 1, 2019 By Chris Corrigan Art of Harvesting, Art of Hosting, Complexity, Facilitation 6 Comments

Came across a Medium piece by Sahana Chattopadhyay today in which she discusses facilitation competencies for working in emergence and complexity. She points out in the article that this kind of facilitation practice is different from what passes for facilitation in many more familiar and simpler contexts:

Facilitation is often mistaken for some methods and processes that experienced trainers use during workshops to run successful sessions. I am not talking about that kind of facilitation, which is an important skill by itself.

I am talking about Facilitation as a way of being that offers safe space, creates a container for exploration, makes way for emergence, enables collaboration and co-creation, builds a culture of inclusion, and helps to align discrete actions with and towards a larger purpose. 

I might have a quibble with the “align discrete actions towards a larger purpose” as this can sometimes be taken as license for a facilitator to direct a group’s choices towards a particular future state, as if that is a knowable thing. In complexity, you really want to help group explore emergent pathways, some of them often quite divergent in nature, but that drive in a chosen direction of travel.

Nevertheless, she has a short list that is actually quite good, and can form the basis of some focus for learning. These are practice competencies, and so you will always find yourself learning and growing along these. Hers are:

  • Hold space for complexity and emergence
  • Stay centered on the participatory process
  • Tap into the potential present in the room
  • Be aware of the different capacities of individuals
  • Help the system see itself.

To these I might add something like:

  • Practice seeing your limiting beliefs and unconscious biases that influence your choice of methods.
  • Understand the theory beneath the problems you are working with.

What else would you add as a way of developing a list of complex facilitation competencies? A friendly warning, I’ll challenge and engage you in the comments! Let’s see what we can make.

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What I’m up to these days

July 29, 2019 By Chris Corrigan Art of Hosting, Being, Chaordic design, Collaboration, Complexity, Evaluation, Facilitation, Featured, Open Space, World Cafe 2 Comments

My last blog post here was back in March, at the beginning of a colossal few months of travel and work during which I was away from home and working in the Netherlands, Germany, northern Ontario, New York City, Vancouver Island, and several locations in Japan. In the course of my travels I was away from home for 64 days, had two major airline cancellations (one airline went bankrupt, one couldn’t get me home without massively creative re-routing). I probably doubled the number of foods I’ve tasted in my life, just from the 28 day trip to Japan alone, and I’ve come back to find myself taking stock of where I am these days.

Summer is good for that.

In reflecting on my work offerings these days, I find myself doing these kinds of things:

  • Helping organizations and communities by facilitating large scale meetings and participatory processes to understand and act in complexity. I do this through meeting design and facilitation. That’s the bread and butter.
  • Using technology to support strategic work in complexity. This year I’m working with both Sensemaker and NarraFirma in different projects to help groups collect, analyse, and act from stories. I love this work and it has taken me into the realm of deep developmental evaluation. The software is helping us to be able to generate deeply informed strategic insights with our clients and to create innovative ways to address stuck problems. It’s amazing and powerful participatory research and support for strategy.
  • To that end, I have been also been working closely with evaluators in some interesting emerging community projects as well as developing teaching modules to run workshops on participatory methods and evaluation.

That’s the basic strategic work. There is lots of capacity building work I’m doing as well. For me that focuses on teaching, first and foremost:

  • Teaching Art of Hosting workshops, including upcoming ones in the next year on Bowen Island, and in the Whitehorse, Montreal, and Calgary.
  • Teaching complexity courses. One with Bronagh Gallagher focused on complexity for social activists, and one with Caitlin Frost on complexity basics, using Human Systems Dynamics, Cynefin, The Work and dialogue methods. I’ve taught several one and two day complexity course this past year, and feel like we’ve really got a good introductory course.
  • A one day workshop on dialogic containers that I gave to good reviews at Nanzan University in Japan. It is based on two papers I wrote over the past few years on Hosting and Holding Dialogic Containers, and one Dave Snowden’s ABIDE framework (now mooshed with Glenda Eoyang’s CDE framework) as a way of using containers to work with complexity. At Nanzen, Caitlin added a neat little piece on Self as Container as well.
  • A course on evaluation, which I first offered online with Beehive Productions this past winter, and then has developed into a two day course offered in New York with Rita Fierro and Dominica McBride. That might morph again and meet the Art of Hosting, so if you’re and evaluator, look out for an offering that joins up those two worlds.
  • Leadership 2020, a nine month participatory leadership program for leaders in the Social Services Sector and child and family services ministries in British Columbia. We are coming up on ten years of this work, with a redesigned program so that we can get more leaders through it in a slightly compressed time frame.
  • I continue to offer a one-day course at Simon Fraser University on World Cafe and Open Space Technology as part of the certificate in Dialogue and Civic Engagement. You can come to that if you like.
  • And I have a few coaching clients as well, folks I spend an hour or so with here and there, thinking through issues in their own practice, working on workshop designs and supporting their confidence to take risk.

As for writing, I have long promised a book on Chaordic Design, and that may still come to pass, but I can see it now being a joint effort with my partner Caitlin Frost. We have been using the Chaordic Stepping Stones tool in every context imaginable and have a ton of stories of application to share. The basic model on my website is due for a revision as well, so perhaps I’l have a chance to do that in the coming few months. When Caitlin and I can find some time to go away and write, we might actually get some stuff on the page.

And here is the blog, my old friend, the place I have recorded thoughts and insights and ideas and events over the past 17 years or so. It needs a bit of attention and it needs to be used, so look for more blog posts more frequently. And they won’t all be well crafted essays – could be just more musings, things that are longer than tweets, and that properly belong free in the world and not locked into the blue prison of facebook. Maybe you’ll even see something of the other passions that are in my life, including my love of soccer, music, and some of the local community projects I’m up to.

Does any of that grab your interest? Is there anything you’d like to hear more about? Can I support your organization or community, or individual practice in any way? Wanna play?

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Why it’s hard to talk about dialogic containers in English

March 14, 2019 By Chris Corrigan Art of Hosting, Chaordic design, Emergence, Facilitation, Featured, First Nations, Organization, Poetry 14 Comments

On the Art of Hosting list today there has been a very interesting conversation about some of the Japanese words that are used to describe space and container. As I will be working this spring in Japan with these very concepts, I thought it would be interesting to hear from my colleagues Yurie Makihara and Kazuhiko Nakamura about these ideas of “wa,” “ma,” “ba,” and “tokoro.” Yurie shared her thoughts, on some of these words, including noting that the word “ba” is often cited by foreigners as an example of a word describing the quality of dialogic container that exists in Japanese and not English. I learned today that all of these words are similar, and include not just ideas about the quality of space but time as well. Anyone who engages in dialogue will know that there is a time and a place for everything.

Over my career I’ve had the gift of working extensively in indigenous communities in North America and one of the features of many (but not all) indigenous languages is the fact that they are verb-based as opposed to English which is very noun-based. Indigenous languages here contain many words and ideas that are similar to the ones Yurie described, and I have experienced language speaking Elders and others cautioning me that “this time isn’t right” or “the space is wrong” in a way that is hard to put into English. When they say those things, the English ear hears the word “time” or “space” (the nouns in the sentence), but the words the Elders use are pointing to the qualities of the relationships between things in the container of time or space.

In English we lack relational language. We have to use metaphors like “safe space” or “brave space” or “juicy” or “a ripe time” that point a bit at the feel, but use words as metaphors and not direct. Over the years, teaching about containers to people who speak these languages I have begun to learn a few concepts. In Diné there is a word – “k’e” – which describes the quality of connection between an individual and their clan and family that is critical for survival and sustainability. In Nuu-Chah-Nulth, the word “tsawalk” meaning “oneness” really is a word that points to the presence of a texture in a container that helps us see the connection between things (people, animals, land…) and the relationship between the spiritual and physical world. Without tsawalk we are not doing good work, because we are not doing work that attends to the many relational fields that are necessary to create space that is fully alive. More of my reflections here.

Ove the years I’ve learned of similar words and ideas in other languages an cultures: in fact this seems to be a feature of human language in a way that isn’t quite available to unilingual English speakers like myself. Its the reason we find these other languages and concepts attractive. They fill a need we have.

In some ways it’s too bad that we use English in the Art of Hosting community as our global language! The most important thing for us as a community – the quality of a container – is the one thing that is difficult to explain properly in English. The word itself is actually a metaphor and used in indigenous-settler contexts, as my friend Jerry Nagel pointed out in an email this morning, it can be taken to mean the very core act of colonization: to contain a group of people. So be careful!

Perhaps this is why for the most part, people I work with in English are interested in tools and processes, and why we have a hard time explaining the “art” of the Art of Hosting. It’s easier to talk about the nouns we use because we have language for them. It’s hard to talk about what happens when we approach space and container as artists, with an eye to hosting the quality of relationships and interactions that create generative action. In English there is no satisfying way to talk about this, at least not that I’ve found. We have to default to poetry, which isn’t necessarily a bad thing.

Or, we default to using words from other languages, but we use these too as metaphors: “we don’t have a word in English, but the Nuu-Cha-Nulth word is…” as if these give the ideas some weight. My learning over the years is to be very careful when using words and concepts from other languages, because as an English speaker I can only use them as metaphors and not with the realness with which a fluent speaker of a language uses their own words. Helpful, but never the whole story…

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