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The Ballad of Wallis Island and the lonesome touch

August 12, 2025 By Chris Corrigan Culture, Music No Comments

While on holiday we usually program a little film festival for ourselves and watch independent films that get great ratings on Rotten Tomatoes. I’ll share the complete list once we return home, but in the meantime, I’m really excited about the film and soundtrack for ‘The Ballad of Wallis Island.” It’s the story of a man who has won the lottery and invites his favourite musicians to the remote island on which he lives to give a private concerts.

The soundtrack is absolutely amazing. The original songs were written by co-star Tom Basden who is better known as a comedian, actor and writer. The soundtrack is earnest and coherent and just stands on it’s own as a great piece of folk-inspired singer-songwriter material.

Both teh film and the soundtrack echoes Once for me, the story of an Irish musician who falls in love with a Czech immigrant.. In both cases the soundtracks were composed and performed by the actors. Aesthetically and narratively, the films share an important quality. Of Once, Glen Hansard has said: “A lot of films let themselves down really badly by wrapping everything up in the last five minutes and giving you a story that trails off lovely. And what happens with those films is that you enjoy them but you forget them, because the story didn’t rip you. But some films pull you in, and then they leave you on edge. They end, and you’re left thinking about it. And that’s really the power of cinema, the duty of cinema—to make you feel something.”

I think that might also be the power of cinema that is built alongside soundtracks like these. Both films have that quality to them while the stories are completely different. Being that Once is Irish and Ballad of Wallis Island is Welsh, I might even say that this is a particularly Celtic form of storytelling. It somehow captures in images what Martin Hayes, the great Irish fiddler has called “the lonesome touch” in Irish traditional music:

The Lonesome Touch is a phrase I have heard in my native County Clare all my life. It is used to describe a person’s music. It is the intangible aspect of music that is both elusive and essential. The word lonesome expresses a sadness, a blue note, a sour note. Even though the music bares the trace of struggle and of pain, it is also the means of uplift, transcendence to joy and celebration.

The lonesome touch is something that is difficult to achieve. One is forced to put the requirements of the music before all personal considerations, to play honestly from the heart with no motive other than the selfless expression of joy and beauty for their own sake.

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Principles for difficult conversations

August 12, 2025 By Chris Corrigan Art of Hosting, Being, Chaordic design, Collaboration, Community, Conversation, Democracy, Design, Facilitation, Featured, Learning, Practice 7 Comments

Peter Levine shared a video today of a panel he was on back in June, discussing practical ways to have difficult conversations. We could all do with a little more practice in this these days. I know I certainly could.

I found the audio hard to hear, but Peter’s post helpfully summarizes what each presenter practices, and I have gathered these principles here in a list for future reference. Each person is working in a different context, but the gathering was about teaching civics in schools in the United States. I think there is some useful transferrance of these principles, so I’m going to slightly rephrase them to be more general.

Sarah Stitzlein:

  • Ground discussions in shared principles, such as living well together or a desire to find common ground
  • Explore tensions (such as between equality and liberty(
  • Use historical rather than current examples.
  • Let the other lead.

Winston C. Thompson:

  • Set norms for addressing identities
  • Allow a person to opt-out of “representing” a group
  • Take responsibility for imbalances in credibility

Janna Mohr Lone:

  • Give full attention to the other
  • Practice receptivity, curiosity and open-heartedness
  • Allow long pauses to allow quieter voices to emerge
  • Make the conversation multi-centred, in other words allow it to become a real conversation rather than a mediated exchange of ideas through one person with power in the situation.

Alison Cohen:

  • Ask “What are you concerned about?” to uncover core values
  • Legitimate concerns without needing to agree with them.
  • Ground the discussion in a shared moral foundation
  • Understanding your own philosophical, moral or ethical principles can help you generate good questions.
  • Listen for understanding, not debate or attack.

Peter Levine (my summary , because he doesn’t cover his own talk in his post!)

  • Name your own biases and make them visible
  • Find a share ground of values
  • Ask questions that are neither too abstract but also not settled.
  • Explore unresolvable tensions

I recently found myself in a difficult conversation and I handled it really badly. It stemmed from a poor comment I made on a social media post during an election campaign where I accused my interlocutor of posting a hoax becasue a meme he shared did not reflect the data that was contained in the report it referenced. I know this person in real life, and the conversation did not go well online. When I saw him in real life, I apologized. A few days later we found ourselves together in the community and we started discussing the point of the post he made. It became a dogfight. I was triggered and upset, feeling some shame and guilt that I had kicked this whole thing off with what he perceived as a personal attack online. For his part, he is a lawyer, so the conversation became a debate, both of us convinced we were right. I was without any kind of skillfulness in creating a good curiosity based conversation. It wasn’t a proud moment.

Practicing these kinds of conversations is incredibly hard. None of us are saints. Principles like the ones above are just basic good sense for anyone hosting or participating in a difficult conversation, but they are incredibly difficult to remember and practice when we are in an emotional state and when the conversations we are having may ultimately have existential implications for the folks in the discussion.

I think at the end of the day one of the key principles that is my own personal responsibility to take is “I want this to go well, for me and the person I’m talking too.” I don’t mean that we should avoid conflict and just be civil to each other, or that we should deny any part of our emotional response to a situation. What I mean is that we should embrace a relationship, even if only for a few minutes, that can hold different experiences, different points of view and different aspiration side by side. For that we need a practice ground and before we step out onto that mat, we need some principles to guide us.

Here are some. What are yours?

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August 11, 2025: comings and goings, of rivers people and philosophies.

August 11, 2025 By Chris Corrigan Democracy, First Nations, Notes No Comments

From my friend Kavana Tree Bressen comes this story of 120 Indigenous youth who kayaked down the Klamath River. It sounds impressive on its own merits, but it is amazing becasue these were the first people ever to do so. Until whitewater kayaks were invented, the river wasn’t suited to long journeys. And those boats weren’t invented until after that river had been blocked, initially in 1903, with four hydro-electric dams that destroyed salmon runs and radically disrupted the lives of the Nations who depended upon them. This is an amazing story.

Rick Scott has died. Scott was a legendary BC folk music and children’s music performer and provided the soundtrack to my kids lives when they were young. The Wild Bunnies of Kitsilano was on repeat in our house. His work with Pied Pumpkin was legendary.

A scathing critique of a neo-liberal criticism of a classically liberal university, the European University Institute at Crooked Timber. Far from just a spat between two political points of view in the stratosphere of reason, I think this particular conversation captures where we are right now in democratic states. These two paragraphs in particular stood out to me because in the absence of true conversations and commitments to social welfare and democracy, this is where the state of play is in the world in terms of the practice of state-level justice, equality and social services:

Liberalism involves a bundle of commitments: to individual freedom, minority rights, toleration, rule of law, private property, civil liberties, academic freedom, constitutionalism, human equality and the promotion of opportunity. Liberals tend to view these commitments as mutually reinforcing rather than dimensions on which tradeoffs are possible.

Neoliberals, like The Economist, tend to put the economic freedom bits first and assume that the other dimensions will take care of themselves. Populists are opposed to pretty much everything in that list other than those economic dimensions. As the latter rise in power, the former seem more and more willing to let their social and political commitments fade into the background.

If this is where the conversation is right now, I feel it’s important to join that movement on liberalism while it is still backed by institutions – troublesome as they may be – because they still have the ability to influence policy and keep space open for participation against the rise of populism, fascism and the rapacious demand of the market privatizing everything. Join it and push it to a place of leveraging state and institutional resources to alleviate poverty, and meet basic human needs in a spectacular and generational fashion. I’d be interested on your thoughts on this one.

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Toke Paludan Møller retires

August 10, 2025 By Chris Corrigan Art of Hosting, Featured 5 Comments

Me and Toke in Montreal in 2013, on the back of a 120 person Art of Hosting.

Twenty three years ago, in November 2003, I sat next to Toke Paludan Møller in a circle called by Peggy Holman to discuss how we were going to carry on the work of practicing peace that we started in a remarkable gathering at the Whidbey Centre. It was the last day of the conference, which featured Harrison Owen discussing his book The Practice of Peace, and then a group of truly amazing practitioners working together to learn about opening space for peace. On the last day we were in Open Space and Peggy called a session around the topic of “what next?”

I knew Toke a little from the online world, but this was the first time we met in person. We passed the talking peace around the circle and when it came to Toke who was sitting to my left, he spoke words that I later invited him to turn into this poem:

it is time

the training time is over
for those of us who can hear the call
of the heart and the times

my real soul work
has begun on the next level
for me at least

courage is
to do what calls me
but I may be afraid

we need to work together
in a very deep sense
to open and hold spaces
fields
spheres of energy
in which our
and other people’s
transformation can occur

none of us can do it alone

the warriors of joy are gathering
to find each other
to train together
to do some good work
from the heart with no attachment
and throw it
in the river

no religion, no cult, no politics
just flow with life itself as it
unfolds in the now…

what is my Work?

That was my invitation to work, and when he passed the piece to me, I said “yes…I want to do THAT.”

The next year, Toke was coming to my island to teach an Art of Hosting, having previously met some of the stewards of Rivendell, a retreat centre here. It was there that I met Tenneson Woolf, Teresa Posakony and others who would go on to be some of my most influential work and learning partners for the next 20+ years. The work of the Art of Hosting was taking off in North America, supported by the Berkana Institute and it gelled so completely with what I was doing through working in Open Space that I jumped into the remerging community. I was invited the next year to be an alumni at the 2005 gathering at Rivendell, and then invited to be on the team for 2006 and beyond. We have held Art of Hosting trainings on Bowen Island or in Vancouver every year since (and lately twice a year, in the fall and in the spring). Toke and I ran a session for Indigenous youth in 2006, set up by Pawa Haiyupis.

That work led to me inviting Toke to be a part of the engagement work we did for the Vancouver Island Aboriginal Transition Team (VIATT) an organization that was working on establishing a regional governance structure for Indigenous child and family services on Vancouver Island. Together we did two Art of Hosting trainings for folks working in that field, at Tsa-Kwa-Luten on Quadra Island and Hollyhock on Cortes Island. Those gatherings were profound. David Stevenson was our CEO and Kris Archie was the engagement specialist that I was working with at VIATT. Kyra Mason was the policy specialist. So many of my colleagues and friends that have developed this practice of the Art of Hosting were introduced to it at that time as we were using this practice and participatory methods to engage in some truly system changing work.

Toke invited me to join him and Monica teaching the Art of Hosting at the Shambhala Institute in Halifax the following year and I did that for several years as well including in Victoria and Columbus, teaching alongside a faculty of unbelievable quality and stature. I felt so privileged to by a part of that work.

In the mid-2010s we worked together in Estonia and Montreal, responding to calls for Art of Hostings in those places. We worked together with folks in Minnesota through the Bush Foundation in work led by Jerry Nagel and at the University of Minnesota where Jodi Sanford was leading a group of folks in exploring the practice in the public policy sphere. I dipped my toes in the work that Toke and Monica were supporting in Columbus with Phil Cass, trying to bootstrap a community-based health care network. That is work that I continue to do with Phil to this day, as a regular member of the Physicians Leadership Academy faculty. We worked together on a team with Monica, Phill, Tim Merry and Tuesday Rivera on the Food and Society conference for the Kellogg Foundation, hosting 550 people in a process that radically transformed that conference. We followed in his footsteps as he worked with a crew in Japan in 2017 and we followed up to support that community with a three-week intense visit in 2019.

We were at stewards gatherings in Slovenia, in Nova Scotia, Minnesota, Belgium, and on Bowen Island where we wrestled with questions of how a global community of practice could be held together without being controlled. Some of those gatherings included peak moments of my life, notably the night when we gathered on the rampart at Statenberg in Makola, Slovenia, where we sang into the grey, foggy, gloaming of dawn with Luke Concannon, gathered around a fire, joined in beautiful, present community.

Toke taught me about simplicity and clarity in the work of facilitation and hosting. He calls forth depth in everyone, and is a lovely facilitator. His commitment was always to practice. as a life long meditator, he knows the fruits of awareness of attending to the basic patterns of life – breath, movement, invitation, dancing together. With the Art of Hosting he and Monica distilled many years of professional practice into a framework that can hold this depth and that invites each of us to become better and better at what we do, more committed to dignity, to heart, to voice, to a commitment to what lies in the centre between us all, the desire for a more purposeful, life-giving and loving world.

Also Toke taught me to be a teacher, to always have mentors and always find apprentices who are hungry for the work. He models this by supporting young people in their journey as the learn to host and lead. He shares widely and deeply with those who hunger for the knowledge and wisdom he has acquired over the years. He models mastery – the humble learner, the humble teacher, confident in what he knows, open to what might happen, never knowing where the next thing will come from.

And he taught me to be a steward, to care for the lineage of what has been handed to me and to pass it to those who could also care for it. Not to preserve it unchanged, but to let it morph and respond and grow and be useful to the world.

Yesterday, Toke announced that he was retiring from this work. In a Facebook post, he wrote:

After 55 years practicing the art of organizing, hosting, process consultancy, and sustainable leadership training, I’m awakening into the next chapter of my life.

At 77, I’m retiring from professional work – to walk the path of gratitude – simply for being alive, and to live in deeper harmony with Life itself – as best I can in the last chapter of my lifetime.

I am focusing on deepening my practice of peace – regardless of circumstance.

Supporting other humans of the next generations – who choose to listen – to awaken to practice simplicity, to practice peace, and serve Life and humanity with courage & kindness – in our smaller and bigger contexts.

My journey continues with the co evolving Practicing for Peace Dojo, The Flow Game practice field – and the subtle Art of loving Life – in service of peaceful coexistence and wellbeing for All.

To all my clients, friends, and companions – thank you.

It’s been an honor and good fun to walk and work alongside so many of you in the fire of learning & what matters – striving to bring a bit of clarity, nowness, natural order, capacity – and peace into the fragmentation of our world – wherever invited and possible.

Listening for – and responding boldly to – sincere invitations from the heart is, I trust, a graceful way to live, walk and serve Life.

Learning in the right and wrong.

Now, tending a quieter flame.

Still, the Work goes on…..

The Work is in good hands. I am eternally grateful to this man for setting me on this path of devoting my own life to the deep practice of participatory work through the Art of Hosting. It is not easy, and it is not possible to do without a community of friends and colleagues and co-conspirators in the work. Toke’s greatest gift to the world through his work was perhaps that: tending to a community of “mates” who were willing to say yes to wild things and get in there and see what we could do.

When I met Toke he was two years younger than I am now. His example gives me a path of possibility for the next 20 years of my own life.

A bow to you, my friend.

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The language of labour in the woods

August 9, 2025 By Chris Corrigan Travel 2 Comments

Yer man posing beside a fully assembled steam donkey including mounted on a sled.

We’re on our annual retreat in Powell River, a place we have come to for the last five years to rest and reflect on the year that has been and think, ever so gently, about the year to come. Every year when we visit here we do many of the same things – walk the same trails, buy food from the same farmers, paddle or swim or visit the same places. And then we always do something a little different too, even small things.

Today was one of those things. We went for a walk to Willingdon Beach which is a pretty special site right downtown. It consists of a park and a beach and a campground with a trail that extends down the shoreline through the forest and is littered with old logging equipment. The gear has been left there along with interpretive signs as the outdoor part of the collection of the Powell River Forest Heritage Museum. We’ve often strolled by the steam donkey and the beached sidewinder and the steam shovel, but until today we’ve haven’t set foot inside the museum, which houses the collection in a couple of rooms.

It’s worth dropping in, if only for the language. The language of labour in the woods and the mines and the sea is old, technical and almost constitutes a dialect of its own. My friends Rika Ruebsaat and Jon Bartlett spent a substantial part of their lives capturing songs written in these languages. Reading the interpretive plaques in the museum gives life to the equipment and artifacts they have dating back 150 years.

Sometimes Geist Magazine publishes lists of words and terms and perhaps I’ll submit this list to them. I won’t even define what these terms mean, just let them clatter around in your ears and mind. In context most of them are really descriptive and self-explanatory. But out of context it seems like a mysterious technical language.

  • High rigger 
  • Drag saw 
  • Butterfly
  • gunning
  • Falling, bucking and yarding
  • Steam donkey
  • Caulked boots
  • Horse hames
  • Yoke
  • Gilchrist jack
  • Sky hook
  • Guy line shackle
  • Roles on the steam donkey: Hook tender, chokerman, rigging slinger, whistle punk, fireman, chaser, woodcutter. 
  • Shinglebolt
  • Flume
  • Froe and mallet. 
  • Spike puller 
  • Double butted axe
  • Spring board
  • Butt swell
  • Notches 
  • Back cut
  • Jointer and raker
  • Boomboat 
  • Sidewinder

What a poem.

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