It occured to me this morning after I posted that piece on affordances last night, I haven’t really blogged about the two loops model of change in living systems. That’s kind of a surprise to me because for the past 15 years or so this is one of the models that has formed a deep part of my practice in working with organizations. Like the Chaordic Path, it is a simple way to grasp deep and complex topics and a good way to introduce groups to concepts that explain more deeply how complex systems work. (You’ll see me refer to …
A quick note here to connect a key idea from complexity work with the two loops model of change that I’ve used essentially as a theory of change in living systems ever since I started working with it back in the Berkana Institute days when we were looking for ways to explain why networks alone weren’t the answer to change work. Just a warning. This is a theory-heavy post, and I recommend you read the linked papers and blogs to dove deeper. What is unique about the model pictured above (and click through if you’re reading this on email, as …
Me and some friends “villaging” back in 1996 or so at a session at The Irish Heather in Vancouver. That’s me blissed out on the bottom right of this photo. We are playing traditional Irish tunes together. Barbara Holmes today in a post at the Centre for Action and Contemplation: It takes a village to raise a child. It takes a village to survive. For many of us, villages are a thing of the past. We no longer draw our water from the village well or share the chores of barn raising, sowing, and harvesting. We can get … almost …
I asked DALL-E to make this image, because I can’t find the great photo i took of streams converging on a beach. This is one of the things I love about my daily RSS feed. The first thing I see today on my NetNewsReaders list is this blog post from my fiend Mark McKergow in Edinburgh who shares his framework of time, which he has articulated in the Uers Guide to the Future. I like this conception of time, because of the big hole in the which he calls “Ant Country”. Ant Country is that time when the context you …
Funeral urn by Charles LaFond. My friend Charles LaFond is a potter. He is also a man who understands how to make space sacred, whether it is the space inside of which life unfolds or a space between two people deepening into friendship and ever-generative mutual blessing. He is also cheeky while being earnest, and his work plays constantly with the dance of the sacred and the profane. His funeral urns, for example, come with his own cookie recipe, and he encourages you to use them as cookie jars until you expire, after which your body, which by that time …