Writing from Tofino, on the west coast of Vancouver Island which is about as far west as you can go without leaving North America. I’m here this week to run an Art of Hosting training with a number of community coordinators for 14 Nuu-Chah-Nulth communities around Clayoquot, Barkley and Kyuquot Sounds. We’re going to be learning together about methods for community engagement and participatory leadership and all of it based very deeply in the concept of Tsawalk (from the Nuu-Chah-Nulth principle of “heshook ish tsawalk” meaning “everything is one.”)
Last night I drove out here across the spine of Vancouver Island, from Departure Bay on the east side, through Port Alberni and along the shore of Sproat Lake, through the pass and down to the west coast. It’s a landscape of high mountains, big trees, big clearcuts and huge beaches. Everything is scaled so big that you can’t help feel small and humbled in this landscape. And to beat it all, last night I chased the sun across the island and it beat me to the open Pacific. By the time I made the turn for Tofino it was pitch dark and the sky was ablaze with stars and the Geminid meteor showers littered the heavens with fireballs and frequent streaks of light.
The first time I ever cam to BC, in 1989, I came here, or more precisely, I stayed a week in Heshquiaht, on the north edge of Clayoquot Sound, visiting with my friend Sennen Charleson and his family. Sennen died a few years ago in a road accident in northern BC, and I can feel his presence here in land from which he spent many years in exile, but which always called him strongly. There is a riotous complexity to the rainforests of the west coast, and a presence unlike anywhere else on earth. Everything is quiet, knowing that you cannot make more noise than a storm from the ocean or the clatter of rain through the canopy. Human noises disappear here, like a the ripples from a pebble tossed into surf.
I’m excited to be designing a three day learning experience here with some apprenticing mates, Norinne Messer and Laura Loucks. We are using the framework of tsawalk for our work together, a concept that is deeply rooted in the Nuu-Cha-Nulth worldview and that influences everything from resource management to spiritual ceremony to the role of community. It is forming the basis of a unique partnership that will produce a marine use plan for Clayoquot and Barkley Sounds, and over the next few days, we will look at how tsawalk informs our work with communities, influences design choices for community engagement and self-development.
One of the processes we will be using is based on the Nuu-Cha-Nulth spiritual practice of “oosumich” which is a form of prayer and self-knowledge that helps us to access knowledge from the interior worlds of spiritual source, individual persoanlity and community. It is a form of investigative methodology that is complimentary to science, which examines and makes sense of the external world. Working together with these methods, we can come to a holistic understanding of the world, a practical expression of tsawalk. Oosumich is a spiritual practice, intended to connect with the spiritual aspects of the world that we can also understand materially. Oosumich itself is a secret and a scared practice, but what we know of it can be used to work in leadership learning and process design.
Some of the basic values that are involved in the expression of tsawalk are aphey (kindness), isaak (respect) and he-xwa (balance). As I sit here designing today, I am thinking very carefully about how these three basic show up in hosting work. Some of my preliminary thoughts are:
aphey
- being helpful for the common good (“hupee-ee-aulth”)
- paying attention to good relations and increasing more of them (an appreciative approach to growing community)
- ask for what you need, offer what you can (PeerSpirit Circle principles that apply to Nuu-Chah-Nulth life from the way in which people help each other with work, food gathering and preparation and ceremony)
isaak
- every voice has it’s place. When we hear a voice of dissent or confusion, it is not out place to judge it, but rather to figure out how it is related to the whole. If tsawalk is the principles, there can be nothing outside of that, and so all voices have a place.
- all creation has common origin and we pay respect to that common origin by acknowledging the relationships that are present in the world.
he-xwa
- balance comes from having a core, which can be a purpose or a solid centre or a ground
- the world is a constant balance between energies that create and those that destroy. Balance is not a static point in time, but a dynamic practice. We have to learn to be sensitive to imbalances both in the external world and in the internal world. Where there is too much red tide, people notice, and they know it means something is out of balance with the marine environment. When there is too much chaos in a meeting, it means that people are confused and more order and clarity has to be found.
All of these ideas form the basis for some teaching, for some play and learning. I’m thrilled to be here.
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As the inner climate villages unfold here and in Copenhagen, the Europeans have cracked a simple set of practices. An email from Toke Moeller in Copenhagen this weekend:
Toke, Ulrik, Lisa and I were part of a workshop at yourclimate.tv today on inner climate. A great experience! The young people were excellent facilitators. They asked us to brainstorm guidelines (Toke reframed this into practices) that could immediately help people to clear the inner climate. First we were asked to brainstorm onto the whiteboard table in silence, then to walk around in silence and make additions and then to talk about what we saw. Also in our group was Lisette, a healer from Holland connected to the MeshWork and Amanji, a Hindi nun who said she had been a monk for 20 years. We were of fundamental agreement, but still had a very rich and deep conversation. We were then asked to boil down what we’d discussed into three salient points.
3 practices that if practiced
by any person on the planet
will help to clear
your inner climate–
Our knowing: There’s enough if we share
Practice: SHARE IT
Our knowing: We all have a choice
Practice: CHOOSE ON BEHALF ON THE PLANET
Our knowing: We are nature
Practice: FIND YOUR NATURAL RHYTHM
&
BREATHE – MOVE – LAUGH – REST
The foundation for these we suggest is an ATTITUDE OF GRATITUDE
Simple practices that bring us to the presence needed to host the conversations and shifts that are needed in these days.
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A smart observation on the deep architecture of good design:
One conclusion so far is that the possibility space for change opens up when we connect different people who can begin resonating together around shared stories, opportunities, and dreams. It’s a process of liberating people from the confines of clusters of sameness and ideological colonialism so they can move toward more diverse connections and pragmatic alignments.
As it turns out, the fusion of difference and resonance is a powerful approach because in that space, people move away from trying to change each other, which opens the space for the possibilities of creating innovative and scalable changes together. Resonant listening to one another’s differences allows us to join in both-and innovations that could never be possible in an either-or constrained world.
via jack/zen.
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From Bernie DeKoven, funsmith: Four freedoms of play:
Scot Osterweil (MIT Comparative Media Studies, Education Arcade Project) has observed this truth: play has no agenda. Freedom is central to the experience of play. To understand the anatomy of play, Scot has identified four components that he calls the “four freedoms of play.” If these freedoms are not respected, the play experience is severely compromised or even ruined.
Freedom to Experiment
The player’s motivations are entirely intrinsic and personal. The process is open-ended.
Freedom to Fail
Losing is part of the process.
Freedom to Try on Different Identities
Players aren’t necessarily limited by their bodies or surrounding physical context.
Freedom of Effort
As described in Peter and Iona Opie’s classic ethnography of playground culture, children may scramble around in a game of tag, avoiding being caught for twenty minutes, and then suddenly stop and allow themselves to be tagged once they have reached a certain degree of effort or perhaps want to move on to another activity.
Useful rules for everything from setting up improv exercises to doing rapid prototyping of new ideas and products.
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From How We Drive, the Blog of Tom Vanderbilt’s Traffic:
I was intrigued by this line from a new paper by John N. Ivan, Norman W. Garrick, and Gilbert Hanson titled “Designing Roads That Guide Drivers to Choose Safer Speeds”:
The aesthetics or “beauty” of a road environment has also been investigated in relation to traffic safety. Drottenborg (1999) studied the impact of speed on streets that appear as “beautiful” due to the blossoming of cherry trees along the streets in Lund during springtime, and similar streets that lack such beautification. She found that the free-flow mean speed decreased by about 5 percent and the number of vehicles traveling at high speeds between 50-60 km/h decreased by about 12 percent during the cherry blossom period.
One imagines a whole new sub-field of traffic engineering, with myriad questions: Do certain buildings or even architectural styles affect driver behavior? Can beautiful people literally “stop traffic”?
This is a lovely observation.
Lately I have been working as much as possible with graphic recorders who bring a level of beauty into a meeting that has a similar effect. When people work with graphic recorders, they approach the wall reflectively, take care to choose their words and make sure that what they are adding to the record is somehow commensurate with the aesthetic experience being captured.
People want more effective meetings and gatherings and I think a key way to get to effectiveness is to slow down. Slowing down can only happen in a physical environment where there is beauty that can catch our eye, catch ahold of the flow of conversations and cause little swirls and eddies that invite it to loop back on itself, become reflective and therefore effective.