
Reflecting these days on some two day courses I have coming up, including one on complexity and social change, one on invitation practice and one on Open Space.
Each of these courses is workshop to introduce people to a practice or a set of practices, as opposed to techniques and skills. In each of these workshops people will come away with an ability to go into the practice, literally as artists. These are not technical trainings designed to download procedures and methods. They are courses that will leave you ready to practice, ready to make mistakes and learn as you go, and ready to improve.
It’s always hard to explain to people when they come on these courses that they will not leave as competent practitioners of the stuff they are learning. All artists make mistakes when they are first using a tool. What’s most important is that you have a way of developing your mastery with a tool, which is to say that you have a framework that helps you understand what you are doing and how well your are doing it. In traditional settings, mentorship is an important piece of this, to help one develop mastery from every attempt as you learn. The point is that these kinds of tools are useful in complexity, meaning that they are context and practitioner dependant. How you use these tools and where you use them matters.
Teaching, therefore, requires a disruption to the pedagogy of filling another person’s brain and body with competence. In my courses, my favourite answer to questions about application is “it depends.” But what doesn’t change over time is the body of theory that needs to inform one’s practice.
Theory is the constant, and therefore a heuristic (a basic set of measurable principles) are they way to develop practice that is appropriate in context. By theory I mean a serious understanding from natural sciences that underpin the ways systems work.
Courses that are pure theory are generally not helpful without grounding them in practice, and courses that are just collections of tools and practices are somewhat useful but can lead practitioners astray if they don;t understand why things work (or they aren’t able to see why things aren’t likely to work). So my basic approach to teaching these kinds of things is to use the following heuristic:
- Theory
- Framework
- Practice examples
- Application
Teaching theory – in my case usually complexity theory – is critical for setting the groundwork for the practices that follow. If you don’t understand the nature of the context you are working in, you are likely to make serious errors in applying practices: linear problem solving doesn’t work in non-linear settings. That seem intuitive but you need to know why and be able to explain it.
Frameworks are helpful because they provide touchstones to connect theory to practice. When we were teaching the harvesting course last year, we came up with the mnemonic PLUME to describe five heuristics that help practitioners design methods that are coherent with good theory. (We have a new one for the invitation course by the way: VALUE. You can learn more about it on the course or in the blog posts that come as a result of the teaching). Sometimes that framework is Cynefin, sometimes it’s the chaordic path.
The important thing about a framework is that it helps you to create something and then it can fall away and what you have created can stand on its own. If your practice relies on maintaining the integrity of the framework then your framework isn’t effective. This is an issue I see sometimes with things like sociocracy where in poor application it’s important that people retain accountability to the framework (but not even necessarily the theory). Frameworks should be important enough containers to inspire grounded and coherent action, but not so critical that the action depends on the framework.
Dave Snowden uses the metaphor of the scaffold, which is useful. Build a scaffold to build your house. But if the scaffolding is a part of your house and your house depends on the scaffolding for it’s structural integrity, you haven’t succeeded
Once we are grounded in theory and have a way of carrying it with us, we can share practices that help practitioners to ground this in real life. I always combine this with an opportunity to apply the learning on real projects. This gives people an opportunity to work together to make sense of what they are learning. It means that folks working on projects get a variety of perspectives from people who have just learned something, including naive and oblique perspectives, which is good when you are trying to do new things. For those that are giving their help with projects, they learn a lot by stepping into the coach or critic role, as they are forced to think about what they have been learning in an application context.
So that’s my basic pedagogy these days. I’ve been on a few facilitation workshops over the years and been shocked at two things: the lack of theory (so how do I know how your methods work) and the over reliance on tips and tricks, which is basically a kind of addictive mechanism for people learning facilitation. many people are super-interested in adding a few things to their tool box, and while I love helping people add tools, I would never give an apprentice carver a knife without helping them understand why this thing works and what happens if you use it incorrectly. And I would never say “here’s a knife, now go make your masterpiece.” Their first effort is going to be terrible, and that’s what practice is. We need more folks teaching the art of facilitation as artists teaching artists and less shady selling of recipes and tools for guaranteed success.
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My friends over at the Social Labs Revolution website have been fielding questions about the prototyping phase of labwork and today published a nice compilation of prototyping resources. It’s worth a visit. It got me thinking this morning about some of the tools I use for planning these days.
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in most of our leadership training work and our strategic work with Harvest Moon, we devote at least a half day to working with limiting beleifs using a process developed by Byron Katie called simply The Work.
At its simplest, the work is a process of inquiring into limiting beliefs that are unhelpful in our work and lives. Such beliefs often include judgements, ideologies and other beliefs that prevent us from really seeing the reality we are dealing with. Some of these beliefs are so strong that we take them for granted – such as “Richard shouldn’t have punched Eric” which is an excellent example of an espoused belief that crumbles in the face of the reality that Eric was just punched by Richard. As anyone with teenagers knows, just saying something “should” or “shouldn’t” happen is no guarantee that it will or won’t, and is an utter denial of what just did happen (or didn’t!). Any statement that contains “should” is an argument with reality.
Every time we enter into complexity work with clients we confront limiting beliefs: this won’t work, we’ve already tried it, it’s impossible, the boss will kill it, we don’t know what to do, the answer has to be clear, and so on. Limiting beliefs do a couple of things. First they limit thinking by exerting a powerful constraint over the mind that, left unquestioned, makes us narrow our ability to scan of possibilities. And second, they cognitively entrain our thinking with unhelful attractors, so that when the boss enters the room, so do all our thoughts about the boss’s resourcefulness and support. Doing creative work with unquestioned beliefes in the way is near impossible.
The way to deal with this kind of thinking is, not surprisingly, informed by complexity practice. So this means that it won’t work to ask a direct question about that belief. Addressing situations head on is a good strategy for complicated problems but a poor strategy for complex ones. And entrained brains will always game the system. In practice this misapplication looks like adopting an affirmation or something like “I will be kinder towards my boss” that doesn’t shift thinking at all, and in fact can bury the resent and anger directed at the boss that will come out in some passive aggressive .form when you least expect it or least desire it.
instead we inquire into the the thought by looking at how a belief lines up with reality, and then looking at what happens when we are believing thoughts – how our body, emotions and behaviours are influenced when a belief is active in our mind. From there we engage in a powerful set of exercises called “turnarounds” in which we investigate beliefs from different angles. After that, we simply sit and let the mind settle. there is no action plan. We are not fixing problems, we are rewiring our cognition. It’s a simple practice, but it works because we take an oblique approach to addressing the constraints, attractors and solidified identities that limit our ability to do good work in complex and uncertain environments.
It has been very cool developing this practice with my partner Caitlin Frost who is a master facilitator and teacher of this work. As I have been exploring the world of complexity-based design, I have been seeing more and more how this process is a strong complexity-based approach to addressed constraints and cognitive entrainment in our thinking. It’s a key piece of strategic capacity building.
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Somehow that statement is worth keeping nearby in my work. For me and everyone I work with.
I spend a lot of time working with people who need or want to do something new. And no level of new work – innovation, boundary breaking, next levelling or shifting – is possible without failure. A lot of it. Much more often than not.
Today, working with 37 leaders from human social services and government in our Leadership 2020 program, Caitlin asked a question: “How many of you have bosses that say it’s okay to fail? How many of you have said to your staff, it’s okay to fail? How many of you have given permission to yourself to fail?” No surprise. No hands up.
There are many reasons for this, the least of which is that people equate failure in this system with the actual death of a human being. When that is the thought you associate with failing, of course you will never put yourself in a position where failure is an option, let alone likely. And yet, it’s impossible to create new things that work right out of the box. You need to build testing and failing into strategy if you are to build new programs and services that are effective.
This is where understanding the scale at which you are working helps: hence probe, prototype, pilot, program, process…five incrementally more robust and more “fail-safe” (in terms of tolerance) approaches to innovating and creating something new. But just having a process or a tool for innovating – whether it is Cynefin, design labs, social innovation, agile, whatever – is still not going to give you a resilient mindset in which failure is tolerable or possible. And this is as true for leaders as it is for people working on the project teams that are supposed to be delivering new and better ways of caring for children and families.
In our programs and in our teaching, we double down on working with improvisational theatre and music techniques and especially The Work, which Caitlin teaches and leads. That process is the primary tool we use with ourselves and others to work on the limiting beliefs, patterns, thoughts and cognitive entrainment that impedes our ability to embrace failure based approaches. Without addressing patterns of thinking, it is just never safe to fail, and when a change leader is hidden behind that block, there is no way to truly enter into strategic, innovative practice.
How do you sharpen your failure practice?
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When you make your living in the world as a facilitator, you can’t help but notice the quality of conversation that surrounds you. People come up to me all the time asking advice about how to have this or that chat with colleagues or loved ones. Folks download on me their grief that our civic conversations have been polluted by rudeness and the inability to listen. We feel an overall malaise that somehow our organizations or communities could be doing better.