Here are four key insights from a conversation on designing good invitations for Open Space meetings. This is the real work of hosting self-organization. It’s not JUST about facilitation.
I parked my car this morning in the village and walked down to my favourite coffee place for an espresso. Every one of the three conversations I overheard was about people discussing the pros and cons of ChatGPT. Pros seem to be that “it helped me to know what to ask for when I talked to my car insurance company” and cons are mostly “how do we know that any of this is real?” More seriously I’m sitting near folks who work in the arts and the looks on their faces are of the deepest concern. They use it. For ideas, for a writing prompt, but the times they have used it to write dialogue, they can spot how crappy it is. At the moment.
My earliest post about was Google was from 2002 when it was an insanely useful tool for searching the web. “Google cooking” was a simple game where one entered in a list of ingredients and it returned a list recipes. It was novel at the time. Great for weeknight dinners. Another game was called “Googlewhack” whereby one would try to construct a two word search term that resulted in only one result. You can’t play that one anymore.
The complete enshittification of search engines, combined with web content that has been generated by robots in order to sell stuff is increasing turning web-search an absolutely useless activity. I just use my search engine (DuckDuckGo) as a collection of bookmarks now. It is hard to do any meaningful research anymore, and so we turn to ChatGPT for answers. And ChatGPT is out there learning the questions we ask. Something sits weird with me when I think about how while Google learned the answers we like, and AI is learning the questions we ask.
The questions are important, as is the way we ask them and to whom we ask them. Sonja today writes about the questions that help us discern a direction, which is different from finding a way. Sometimes we don’t even know what the direction is although we can discern that wherever we are right now, somewhere else is better. Thinking about that and talking about it together is an essential human capacity and it’s a pretty fundamental part of how we work with teams facing complexity. There is an art to asking to right kinds of questions and thinking about them together that reveals a deeper level at which affordances and opportunities might exist. Sometimes getting unstuck means drilling down and not reaching out.
Collaborative outcomes are emergent properties of discrete human systems of encounter and meaning-making – “dialogic containers” I call them. If you are a leader seeking a course of action, you might get some good ideas by submitting notes and documents and harvests into a large language model to suggest possibilities. In fact, you could even have your team members do that on their own and bring the output to a meeting to talk about what they have found. My hypothesis is if you continue to do that without involving humans you will end up with an endless set of ideas and possibilities, but you will miss the co-creationi and co-ownership that makes sustained effort possible in a particular direction. I can’t yet see how large language models can surface a consensus that will inspire collaborative action. Deep meaning and commitment to one another is produced by the people within the container who discover something between them that is worth trying, worth pursuing together. Calls to action are far less sustainable than co-creation of a direction. Even if, and perhaps especially if, such a direction is deeply flawed to begin with. There is nothing better than failing together and then finding a way forward to build cohesion.
I might be wrong in the future but in this moment, systems-complexity and anthro-complexity are different and humans experience emergence differently from mechanical systems, even those that are capable of learning. Dialogue practitioners base their practice on this idea; that no matter how great the ideas are, nothing gets sustained in human systems without the intangibles of co-ownership, meaningful engagement, and dare I say, at some level, love.
Not every facilitation gig goes great. The kind of work I do – and this is probably true of many of you – is usually novel. It is new to the organization I’m working with and often times new to me too, because every organization’s context is different and we design to what is needed.
This means that I often find myself involved in processes that folks have never done before. Moreoften than not, if we’ve done our preparation work well and folks are well invited to the gathering, the process is fun, engaging, powerful and results in good outcomes.
And sometimes it doesn’t. Sometimes we get lost, don’t know where to start, flounder and find ourselves surprised. And at times like that I think about Tommy Flanagan.
Tommy Flanagan was one of the best jazz pianists who ever lived. His discography includes 40 solo recordings and some of the seminal jazz recordings of the 20th century: Sonny Rollins’ Saxophone Colossus, Kenny Burrell’s Swingin’, and numerous albums with Ella Fitzgerald, Coleman Hawkins, Milt Jackson, and JJ Johnson among others. Famously he appeared on John Coltrane’s 1959 album Giant Steps.
Now Giant Steps featured as its title track a now-classic tune of the same name which is diabolical in nature. Coltrane plays it very fast, and the chord progression is something that no one had ever seen before – embodying Coltrane’s radical approach to jazz harmony – with hardly any time to think between changes.
When Coltrane introduced the song to Flanagan a couple weeks before the recording session, he played it slowly so Tommy could get a sense of how the changes worked, and this left Flanagan with the impression that the tune was a ballad. Ballads are played at 60 beats per minute. When the band stepped into the studio to make the recording, Coltrane played it at nearly 300 beats per minute. Flanagan wasn’t prepared.
On the recording, you can hear Coltrane’s soaring solo of 11 choruses, before he drops and lets Flanagan comes in. Tommy Flanagan has five choruses to solo on and he starts scared and gets progressively more and more lost until by the fifth chorus he is just comping out some chords and probably thanking his stars he survived it.
His solo is perhaps the most famous example of a top jazz musician who tried something and failed. Lost, bewildered, out of ideas, but gamely getting through it.
Some days are like that. Folks loving using jazz as an example of what happens when teams of people really cook together, but they never seem to bring up Tommy Flanagan’s solo. Facilitation is like that sometimes too. You know you’re stuff, you are good at it, and then you find yourself in a context where things are not what you expected and you dry. It doesn’t mean you’re not good at your job. But, Coltrane’s recording of Giant Steps is perhaps the most relatable moment I can describe listening to jazz masters play.
Flanagan, by the way, had more than the last word on this piece of music. After Coltrane died he recorded a lovely version of it on a tribute album that has a solo that rivals Coltrane’s and is maybe even better for its lucidity and cohesiveness and swing.
It’s undeniable that in the time I have been publishing on the web (and before that on usenet and bbs’ dating back to 1992) we have seen a shift from protocols to platforms. Back in the day, people made protocols so we could all talk to each other, regardless of the platforms we used to do it. The web today runs on these protocols, which allows us to use all kinds of different platforms to communicate. Think email. We all use different email programs, but when I send a message, it gets to you regardless.
The enclosure of the commons that I wrote about last year is the fundamental shift in the way we communicate and talk to each other. It creates walled gardens of activity that regulates what happens inside and which limits connection to the outside world. I used to be able to publish my blog posts directly to Facebook for example, but that functionality was removed a long time ago. Facebook will not allow users in Canada to post hypertext links to media sites, which is a pretty reliable indicator that they want to own the web and not participate in it. Platforms limit possibilities and are driven by control. Protocols open up possibilities and enable self-organization and emergence.
Mike Masnick’s paper on Protocols,Not Platforms traces this history very well and makes these arguments for focusing on protocols that “would bring us back to the way the internet used to be.”
I came to Mesnick’s paper after reading an article in the New Yorker about J Graber and her involvement with Bluesky. I was struck at the parallels between the work I do with social technologies and the work that people are doing around social network technologies. When I first got into working as a facilitator, I focused on large group work (and I still do) and my focus was on the platforms of Open Space Technology and later World Café and Appreciative Inquiry and other methods of large group interventions.
These methods for large group dialogue are platforms, but what underlines them our protocols of organization and facilitation the protocol I use is the Art of Hosting, a simple four fold practice, which is applicable to a variety of contexts from meetings to structuring organizations to planning large scale change work. The art of hosting is a protocol that enables more collaboration, more creation, and more resilience among individuals and groups who are leaning into complexity and uncertainty.
On Friday, I’m going to talk about this more and I think I will use the Protocols, Not Platforms idea as the way to talk about how we do change work, and you could join us. The organizational development world is besotted with methods, and a good method for the right need is a good thing. All methods are context bound, however, so to really make change in complex domains, one need to be aware of the context for the work and rely on a context-free protocol to help engage and work. So if you join in on Friday you will learn about how context matters, how complex contexts in particular are composed, the simple protocol for working in complexity that is rooted in the four fold practice, and then maybe some stories of using methods that fit the need.
I think it was 1986-87 academic year that I truly fell in love with the idea of culture. That was the year I began my BA in Indigenous Studies at Trent University and it was during a time when Indigenous cultures in Canada were going through a generational resurgence after recovering from 100 years of state-sponsored cultural, physical and intellectual extinction. I was able to be a witness to communities and organizations recovering by growing deep into traditional practices, and younger generations receiving the teaching of Elders and using them to create new political movements, organizations, economies, governments, and health and well being in their communities. I loved the idea of culture as the ground for this work and loved watching people work with it, and indeed being a part of cultural shifts and and catalysis. Culture was like magic. It appeared bigger than all of us, it shifted and changed and it enabled things to happen. Or not.
I so fell in love with culture that I did an honours thesis in my fifth year that compared two national Indigenous organizations in their attempts to root their operations and structures in traditional cultures. One did it by using artifacts and trappings and firm structures that ended in arguments about orthodoxies and heartbreak, and the other did it by creating a relational, caring, and connected context in which a unique but thoroughly Indigenous way of being emerged.
So early on I learned that culture is emergent, that it transcends individuals and specific artifacts and practices, that it is a context that shapes relationships and behaviours and that it is the product of relationships and interactions over time. Norms of behaviour can’t be dictated, they can only arise.
Since then I would say that the heart of my work with organizations and communities has been working with culture. The sources of joy and the sources of pain are the multiples contexts in which we live our lives. I’ve worked in one-off settings and multi-year large scale systemic settings. I’ve worked with large teams and with little groups of change-makers. And we’ve tried it all, from magic methods to the “this will finally solve it” conference, to multi-year narrative sense-making projects. I’ve spent decades surfing the rise and fall of supporter culture around the soccer teams I’ve been a part of. I’ve spent nearly 25 years living on an island with its own unique slant on the world, creating social enterprises, supporting community economic development and making community through music and play.
About a year ago on the Art of Hosting Facebook group someone asked about changing culture in a very large organization and which methods are best. For some reason that post appeared in the feed that I rarely check, and I responded to it. But because I’m never going to send you to Facebook, I thought I would catch this sketchy set of insights and share them here. This is a back of the napkin kind of list, but these are truths that I will no longer doubt in my work with organizations and communities. So here’s what I’ve learned about “culture change.”
- It takes years.
- Your work will be non-linear and unpredictable.
- All states are temporary.
- If it is necessary for senior leaders champion and support change work, it will only be sustained as long as they don’t succumb to their anxiety and fear of uncertainty and unpredictability.
- You cannot change culture directly, but you can work to change the way people interact with one another and see what kind of culture emerges as a result.
- Learning together is often a good way to approach many different strategic and cultural issues in an oblique and open way.
- If change of any kind in the organization or sector is predicated on the people needing to transform and be different then you are colonizing people. Don’t do that.
- Whatever you think is happening is only ever a part of the full picture.
- Whatever you think you have accomplished is only ever a piece of what you have actually done.
- It will never go according to plan.