
One of the things I am learning reading Stuart Kauffman’s book “Reinventing the Sacred” is just how powerful and pervasive the phenomenon of creative emergence is at every level in our world. From the very tiny chemical interactions that begin to define what life is, up to the order of the planetary biosphere and noosphere to the cosmic scale, emergence from pre-adaptions is a pattern that is everywhere, that offers a counterpoint to the reductionism of physics and yet does not violate the laws of physics at all. This paragraph sums up his premise:
“We are beyond the hegemony of the reductionism of half a century ago. We have seen that Darwinian natural selection and biological functions are not reducible to physics. We have seen that my law of collectively autocatalytic sets in the origin of life is also not reducible to physics. We have seen creditable evidence that science is moving forward towards an explanation for the natural emergence of life, agency, meaning, value, and doing. We have, thus, seen emergence with respect to a pure reductionism. Thanks to the nonergodicity and historicity of the universe above the level of atoms, the evolution of the biosphere by Darwinian preadaptations cannot be foretold, and the familiar Newtonian way of doing science fails. Such preadaptations point to a ceaseless creativity in the evolution of the biosphere. If by a natural law we mean a compact prior description of the regularities of the phenomena in question, the evolution of the biosphere via preadaptations is not describable by law. We will soon find its analogues in economic and cultural evolution, which, like the biosphere, are self-consistently self-constructing but evolving wholes whose constituents are partially lawless. This is a radically different scientific worldview than we have known. I believe this new scientific worldview breaks the Galilean spell of the sufficiency of natural law. In its place is a freedom we do not yet understand, but ceaseless creativity in the universe, biosphere, and human life are its talismans. I believe this creativity suffices to allow us to reinvent the sacred as the stunning reality we live in. But even more is at stake. Our incapacity to predict Darwinian preadaptations, when their analogues arise in our everyday life, demands of us that we rethink the role of reason itself, for reason cannot be a sufficient guide to live our lives forward, unknowing. We must come to see reason as part of a still mysterious entirety of our lives, when we often radically cannot know what will occur but must act anyway. We do, in fact, live forward into mystery. Thus we, too, are a part of the sacred we must reinvent.” (from “Reinventing the Sacred: A New View of Science, Reason, and Religion” by Stuart A. Kauffman)
Now I want to be clear that despite my interest in theology, I am not reading this book from a theological perspective. In fact I am wondering a bit why Kauffman insists on tying his amazing proposition to the idea of “the sacred” because it actually makes for something of a distraction in his narrative. And as we get into the extension of his ideas into the economic and cultural realms, the idea of the sacred seems less and less interesting. What is more interesting is to see the parallels between the physical and biological acts of creative emergence and the way in which our cultural, social and economic lives are intertwined with natural processes.
To me this is the good part about this book. It validates that approaches to complexity and emergence are necessary parts of human social life and we need to relearn them (perhaps even re-place them as sacred epistemologies alongside the religion of reductionism) and put them to use to counter the dark stuff that has crept into our human world through our cleverness and addiction to a method of analysis that reduces the world and it’s problems to mere parts.
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Nadia has a small piece this morning on one element of good design, reflecting on a book review by Ian Pinasoo. I like the way she puts this:
Great workshops are based on a creative challenge. A creative challenge is real and not fake. It matters. A creative challenge engages, pulls us in and takes us on a discovery tour. Responding to a creative challenge is like the hero’s journey of accepting a call, going through the process of revelation and returning with deep insights.
I would add that if the challenge is anchored to a common need, and the people you have identified and invited are the ones with enough agency to take on the challenge, you really start cooking.
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If you are as much as a complexity theory geek as I am becoming, you might appreciate this map by Brian Castellani that links to the founders of the various branches of complexity science. The map is described as “s a macroscopic, transdisciplinary introduction to the complexity sciences spanning 1940-2015. ” It is a fantastic resource because each of the founders of a branch of this science are represented by links to archives of their work. You could read for hours. Days even.
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Where I live, on a small island off the west coast of Canada, the traditional Celtic season markers make more sense for our community rhythms and the cycles of our landscape than the solar seasonal calendar, and I’m not as versed in the Skwxwu7mesh seasons well enough to relate to those.
Today is Lughnasa, the traditional commencement of the harvest season. The province of British Columbia is burning in many places, and today the winds have brought us smoke from the interior to colour the sun pink in a grey and orange sky.
The produce in our local markets is showing tremendous diversity, as the brassicas and squashes and fruits that were planted in the spring join the early harvest of greens and peas. On the land and sea, salmon are returning, the deer have dropped their fawns, and already there are signs up for shares in pigs and turkey’s and sheep for the winter.
It’s also a time of harvest for me from a year that has seen much in the way of professional and personal growth. I am moving from a deep study of theory to a deeper informed approach to practice, wanting now to focus my professional craft on simplicity while beginning to think about how to share everything I’ve been learning over the past 8 years or so for the benefit of other practitioners, especially those who are starting out. I am also looking deeply into my own life and where I am on this journey that has delivered 49 years of living and still confounds me.
There are some new learning offerings being planned for this year, including a session on using complexity for social change that I’m doing with Bronagh Gallagher here in Vancouver and over in Glasgow. I’m also preparing an online course with my friends at Beehive Productions on Chaordic Design. Add to that two Art of Hosting workshops in November: our 14th annual offering here on Bowen Island and one in Amsterdam with old friends. These are all harvests for me.