From Bernie DeKoven, funsmith: Four freedoms of play: Scot Osterweil (MIT Comparative Media Studies, Education Arcade Project) has observed this truth: play has no agenda. Freedom is central to the experience of play. To understand the anatomy of play, Scot has identified four components that he calls the “four freedoms of play.” If these freedoms are not respected, the play experience is severely compromised or even ruined. Freedom to Experiment The player’s motivations are entirely intrinsic and personal. The process is open-ended. Freedom to Fail Losing is part of the process. Freedom to Try on Different Identities Players aren’t necessarily …
A story of an improvisor with exacting standards: My father, seventy-eight, is a methodical man. For thirty-nine years, he has had the same job, cataloguing books for a university library. He drinks two glasses of water first thing in the morning, walks for an hour every day, and devotes almost as much time, before bed, to flossing his teeth. “Winging it” is not a term that comes to mind in describing my father. When he’s driving to new places, he does not enjoy getting lost. In the kitchen, too, he walks a deliberate line, counting out the raisins that go …
Almost 20 years ago I was a part of pioneering something and I had no idea I was doing that. Gathered under the creative eye of Rob Winslow at The Union Theatre in Peterborough Ontario, a small cast of us put on a weekly improvised soap opera called “The Cactus Hotel: A Western Philosophy” (My God! Here is the brochure for it!) Every Sunday night all summer we improvised a one hour show that advanced the story of a number of characters who found themselves in an imaginary world that owed its existence to the marriage of the Hotel California, …