Nice little video which demonstrates factors which enable creativity and those which impede it.
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I used to be a huge fan of Anthony Braxton back in the day. Braxton is an unapologetic free music practitioner, a brilliant composer and improviser and a disruptive influence in the world of American music, and jazz in particular.
Here is a a lovely piece from him talking about the difference in perception between white men and black men striving to express an individual voice in contemporary America. Beyond race, this also speaks to the marginalization of creative work in a world dominated by a mercantile world view:
FJ: Why is it that a white man striving for individuality is perceived as being liberal, but a Black man is termed radical or revolutionary?
ANTHONY BRAXTON: You put your finger right on it, Fred. I turn on the television set sometimes and they are talking about Silicon Valley. The guys are saying that they have these sessions where they just kind of get together and push ideas around and we’re changing these models, we’re doing this and we’re doing that. Suddenly they switch to Bill Gates or any of the visionaries who’ve become very successful. They talk about whatever they’ve come up with. Yes, it is always received on the level that it is intended in the sense that this is something that can be considered, accepted or rejected, but it is something that can be considered. For instance, when Lee Konitz in Wire magazine went to put me down, he didn’t say, “I don’t like what Braxton’s doing.” No, the first thing he made sure to do was undermine my credentials. “Oh, he isn’t qualified.” “Oh, he made a technical mistake.” So the question then is not what Braxton is doing, but suddenly I am operating from this deficit. This has been the game that has been played against guys like me from every sector. The Lincoln Center sector says, “Oh, well, he doesn’t play the blues.” What they are really saying is the he doesn’t have the kind of idiomatic psychology that we can see as playing ball in a way where this guy doesn’t have to be challenged, not to mention, what we have here is a profound myth understanding in my opinion of the whole blues tradition. I trace these understandings to Mr. Albert Murray and Stanley Crouch.
via www.jazzweekly.com | Interviews.
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In this article, stringing together some obersvations about Louis CK and Mary Halvorson, Seth Colter Walls touches on the wellspring of collaboration.
He writes a little of the play that replaces rehearsal for true improvisers, of finding outlets of artistic practice where
“no one person is responsible for all the tunes–if tunes are even the order of the day. Such groups aren’t the ones that players use as reputational tent-poles; they’re the ones that successful artists keep going in order to keep the channel for new sounds open. It’s the jazz-world equivalent of Zach Galifianakis’s avant-chat Web-show “Between Two Ferns,” the sort of thing that happens in the background of an otherwise thriving career.”
Facilitation or Hosting practice is improvisation too. Every time I work with a group I go in as a jazz musician, with a set list of “tunes” to play, which in group work as in music is simply a way to divide time into portions that carry and enable a narrative to unfold. Sometimes the unfolding narrative necessitates that we completely change the tunes we were planning on playing. Just last week for example, the group we were working with had come through some hard work rather earlier than we imagined, causing us to jettison our entire design for something that could take them onward from this new place.
So where do you learn how to do this? When I wrote recently on disruption, I talked about how learning how to deal with that is a capacity that serves marvelously in the world. In some ways for those of us who work with groups for a living, we are lucky to have a world that goes according to its own plan. You don’t need to work hard to seek out places where things change faster than you can account for them. It may be driving in traffic, walking in a busy street, participating in sports or music or dancing, socializing and playing in groups. All of these are training grounds where you can practice sensing and changing the plan, where you can try new ways of unleashing groups intelligence as a leaders, as a follower, as a bystander, as a participant. You can try and fail without any dire consequences affecting your bottom line.
In short, see your social life as practice, and your capacity to work with groups will be richer.
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I was listening to a brilliant interview with the theologian and scholar Walter Bruggeman this morning. He was talking about “the prophetic imagination” and using the poetry of the Old Testament prophets to make a point about a key capacity that is missing in the world right now: the ability to deal with disruption.
SImply, disruption is what happens when the plans we thought we had have suddenly changed. It could be a major economic collapse – a black swan event – or something so small as your bus left early. How we respond to disruption is a key capacity for individual resourcefulness, and how we collectively deal with disruption is a key capacity for resilience.
It is interesting, as Bruggeman notes, that our frame for understanding the future is basically consumerist. We purchase certainty. It’s as if we invest in the present because it guarantees a given performance of the future. When we buy something, we expect to receive quality and a guarantee that if it doesn’t work according to plan, we can hold someone else responsible.
That understanding about the way the future is supposed to roll out infects everything we do. When events overtake our assumptions about the future, we look for someone to blame, someone to be accountable, someone to make it right. I can find all kinds of ways in which I expect people to OWE me something. It’s as if our participation in the social contract guarantees that our expectations will be met.
But they never are. We cannot all live in our ideal worlds. Diversity and complexity means disruption.
The greatest challenge of our time I think, both individually and collectively, is how to equip ourselves for disruption. There are many patterns that scale across dimensions of practice, and a few key ones may be:
- Self-awareness. Knowing your own response to disruption is helpful. Do you get stressed by unexpected change? Do you take it in stride? Does your community shake and shudder with fits and paroxysms or do you just give up? All of these reactions are common and they are interesting. And they are not anyone’s fault or anyone else’s responsibility but your own. Learning to be resourceful with disruption begins by knowing how you deal with it.
- Stop. When events overtake you it is wise to stop. The worst thing to do is to continue to pursue the course of action you initiated before the disruption occurred. As an individual, stopping is easier than doing it as a collective. It often takes a loud voice to get a group intent on achievement to stop what it is doing, so being prepared to stop means paying attention to the small voices – the ones inside yourself and the ones inside your team.
- Look for surprise. One of the basic operating principles of Open Space Technology is “Be Prepared to Be Surprised.” My friend Brian Bainbridge lived this principle, even from within the relative security and certainty of his life as a Catholic priest. As a result he welcomed surprise with delight. Looking for and preparing for surprises isn’t just a good self-help trick though. It’s excellent planning. And because by definition, you can never know what will surprise you, the best way to prepare for surprise is to train your outlook to work with it rather than against it. Lots of energy is spent beating back the results of surprise. We would do better to be able to see it’s utility and work with it.
- Welcome and engage the stranger. There is a Rumi poem called “The Guest House” I love that has these lines in it: “This being human is a guest house. Every morning a new arrival”Welcome and entertain them all! Even if they’re a crowd of sorrows who sweep your house empty of its furniture, still, treat each guest honourably. He may be clearing you out for some new delight.” the stranger contains the answer. When disruption occurs, it is like a door opening through which floods unfamiliarity. That all comes with strangers and many of those strangers hold the answers to what to do next, but you have to take the time to engage with them. And never discount the stranger among you, the person you thought you knew that suddenly becomes a different in the midst of a crises.
- Choose wisely. Meeting the chaos of disruption with the order of stillness helps to create the space for wisdom. Not having stillness means one gets caught up in the rush and tumble of chaotic disruption and one reacts instead of acting wisely. Becoming still and then stopping has similar results. Balancing chaos and order gives us the time and space to make a wise decision. The opinions of others help here. If you are alone when your life is disrupted, you might not have the breadth of understanding to make a wise decision. You may end up travelling in a direction that takes you away from where you need to go. When you make a choice, choose wisely.
- Commit. Finally commit fully to your next move. This is principle that is alive in the field of improvisational theatre. The scene takes a surprising twist and as an actor you have two choices: hang on to the story you were previously developing or let the new story line change you. You can tell an improviser that only half commits to the new story. They become immediately stuck in a space that is too constrained to move. They are wanting to work with the new but unwilling to abandon the old. When disruption occurs it is already too late not to be changed by it. So commit fully to the new world so that you can be a full participant in it.
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Watch what happens when a rain delay forces two US college baseball teams to get creative. They improvise.
So much to love in this, including the fact that they created set pieces, scenes and then when they ran out of ideas staged a dance contest together. It would have been interesting to see how the game went after all this play they did together!
Here is another even better video of (almost) grown men having a great time together – moose hunting, curling, pro wrestling, playing football.