Port Alberni, BC I am on the road here, travelling around Vancouver Island hosting conversations with people about what seems like an impossible future. And as we move into discussions about the work we are doing, I find myself more and more focused on finding the questions that help us discern these two subtle presences: the seed of the emergent future crossing the abyss back to our present moment, and the place where our feet fall on the other side of that abyss, the place where we our hearts are all ready present in that desired future. I am facilitating …
I’ve been facilitating groups for as long as I can remember, going back probably 20 years to high school when I ran both informal and organized youth groups with my peers. It has probably been about twelve or thirteen years ago that I started to actually pay attention to what I was doing. But only in the last five or six years, as I have been facilitating full time, have I noticed a deepening in my practice. Work as practice. And by practice I mean something akin to a spiritual practice, whereby one undertakes a life of value and meaning …
Lifting this right from Adam Kahane’s book Solving Tough Problems: We get stuck by holding on tightly to our opinions and plans and identities and truths. But when we relax and are present and open up our minds and hearts and wills, we get unstuck and we unstick the world around us. I have learned that the more open I am – the more authentic I am to the way things are and could be, around me and inside me; the less attached I am to way things ought to be – the more effective I am in helping to …
The last of three parts on music. We are talking about improvisation as a method for working with or being in groups – developing a set of practices that refine one’s ability to think on one’s feet and to see full opportunities in small hints (Blake’s “world in a grain of sand“). Improvisation, especially in a collaborative environment, produces material that would never otherwise arise. And yet, it is worth pointing out that great improvisation is not simply making stuff up on the spot. Consider this from Becker’s essay: When I used to play piano in Chicago taverns for a …
Whale to human transformation mask (Haida) From Civilization.ca Harrison Owen, the guy who invented Open Space Technology, in replying to my post about stories, put some words around it � gave me the story in fact � and so I realize now that the reason I love practicing OST is that it really does invite an organization or a community to embody a new story about itself – or to rediscover very old ones. Harrison wrote: There used to be a day when the power of these deep stories was appreciated, but in recent times they are dismissed with the …