This is Swiss artist   Mädir Eugster performing an incredible balance piece.  More about him at Rigolo, his circus company.

Monet Refuses the Operation

Doctor, you say that there are no haloes

around the streetlights in Paris

and what I see is an aberration

caused by old age, an affliction.

I tell you it has taken me all my life

to arrive at the vision of gas lamps as angels,

to soften and blur and finally banish

the edges you regret I don’t see,

to learn that the line I called the horizon

does not exist and sky and water,

so long apart, are the same state of being.

Fifty-four years before I could see

Rouen cathedral is built

of parallel shafts of sun,

and now you want to restore

my youthful errors: fixed

notions of top and bottom,

the illusion of three-dimensional space,

wisteria separate

from the bridge it covers.

What can I say to convince you

the Houses of Parliament dissolve

night after night to become

the fluid dream of the Thames?

I will not return to a universe

of objects that don’t know each other,

as if islands were not the lost children

of one great continent.   The world

is flux, and light becomes what it touches,

becomes water, lilies on water,

above and below water,

becomes lilac and mauve and yellow

and white and cerulean lamps,

small fists passing sunlight

so quickly to one another

that it would take long, streaming hair

inside my brush to catch it.

To paint the speed of light!

Our weighted shapes, these verticals,

burn to mix with air

and changes our bones, skin, clothes

to gases.   Doctor,

if only you could see

how heaven pulls earth into its arms

and how infinitely the heart expands

to claim this world, blue vapor without end.

~ Lisel Mueller

found at the excellent panhala

My eyes are getting worse.  Not just the worse that comes with age but the worse that comes with a degenerative eye disease called keratoconus.  I have had keratoconus since I was a teenager, and I’ve become well used to seeing the halos and double images, blurring and other illusions.  My eyesight varies with weather and rest and a multitude of other factors but unless I’m wearing my hard, gas permeable contact lenses, my eyesight is pretty bad.  Not debilitating, but far from good..  At a distance, even with glasses, I can’t make out faces, and that combined with my aging memory serves to create weird situations, when I call one person by another name and so on.  I’m not that old, only 42, but old enough to notice how things have changed.

As my memory gets worse, I can reframe it as living more in the present, but until I found this poem, I had no way of reframing the decline of my eyesight, which is not serious yet by the way, but bad enough that I get sad about it from time to time.  I recently had a consultation to see if there was any chance at a new procedure called cross-linking, which is an alternative to an eventual corneal transplant, but the verdict was that I don’t have enough cornea left to make such a procedure possible.  Science and technology are constantly advancing though, so perhaps in the future things will change.  But for now, I take a lot from this poem, from Monet’s protestations in this poem and especially “I tell you it has taken me all my life  to arrive at the vision of gas lamps as angels,  to soften and blur and finally banish  the edges you regret I don’t see.”

Stunning.

I am just returning from a memorial service for my friend and colleague John McBride. John and I worked on a number of Aboriginal economic development projects over the years and he died in October from pancreatic cancer.

Today at his memorial his wife Val read some selections from his journals. One insight that really stuck with me was written in his final days as he was making sense of his death. He wrote that the end is about peeling back all the layers of who we have been to discover who we really are at our core. And he named his core as that of a man who lives with joy and revelled in having just enough.

With thanks to Geoff and Euan.  Beauty in body and land.