Those of you interested in exploring the Art of Hosting, our pattern language for working with conversational leadership in living systems, might consider joining Teresa Posakony, Tenneson Woolf, Christina Baldwin, Ann Linnea and I at teh Whidbey Institute near Seattle in the New Year.
Invitation and information is here. You presence is desired!
A combination of quotes from two different emails today on certainty. First from Ashley Cooper, quoting Daniel Sielgel:
“When we are certain we don’t feel the need to pay attention. Given that the world around us is always in flux, our certainty is an illusion.”
And then this, from Tenneson Woolf, who currently has my copy of Tsawalk: A Nuu-Chah-Nulth Worldview. From that books is this is a story of Keetsa, an Ahousaht whaling chief who runs into trouble when the space is no longer held for him:
Every protocol had been observed between the whaling chief and the spirit of the whale. Keesta had thrown the harpoon, and the whale had accepted it, had grabbed and held onto the harpoon according to the agreement they had made through prayers and petitions. Harmony prevailed, whaler and whale were one, heshook-ish tsawalk.
All of a sudden something went wrong, some disharmony arose, some disunity intruded, and the whale turned and began to tow Keesta and his paddlers straight off shore. Keesta took inventory. Everyone in the whaling canoe remained true to the protocols – cleansed, purified, and in harmony. Prayer songs intensified. Still, the great whale refused to turn toward the beach, heading straight off shore. Keesta and the paddlers had kept true to their agreements, and now there seemed nothing left to do except to cut the atlu, the rope attached to the whale.
Keesta took his knife, and as he moved to cut the rope, Ah-up-wha-eek (Wren) landed on the whale and spoke to Keesta: “Tell the whale to go back to where it was harpooned.” Keesta spoke to the whale, and immediately the great whale turned accourding to the word of Wren, the little brown bird, and returned to where it was first harpooned, and there it died.
After the whale had been towed ashore, Keesta discovered, as he had suspected, that the disharmony and disunity had intruded at home. When his wife had heard that the whale had taken the harpoon, she had roused herself and prematurely broken away from her ritual in order to make welcome preparations. At the point when she began to go about her life in disharmony from the rest was exactly when the great whale had begun to tow Keesta and his paddlers off shore.
Farmed salmon are killing the wild runs of fish on our coast. Sea lice infestations now threaten almost all of the existing pink stocks that swim through the Broughton Archipelago. With the loss of wild salmon comes the loss of so much more, including the health of First Nations people on the coast. In the past 5 years a number of studies have been done showing that the diabetes epidemic that plagues First Nations communties can be managed by eliminating non-indigenous carbohydrates and relying more on wild foods. To allow salmon farming which is bringing wild salmon stocks to their knees is tantamount to denying First Nations communities access to their own health.
Time to decolonize the oceans and decolonize our bodies.
Photo by aikijuanma
Here is a lovely story of youth adding beauty to the world by setting up a poetry stand and giving away instantly crafted poems to anyone who asked for them.
A few months ago as I was walking in Government Street in Victoria I met a woman standing beneath a tree outside Munro’s Books. The tree had small pieces of paper attached to them and when I looked closer I saw that they were poems, hanging on a “poet tree.” The poet turned out to be Yvonne Blomer and she asked me if she could read me a poem. When I said, with delight, “of course!” she asked whether I preferred any particular subject. I replied that I wished her to read me a poem about the territory of the open heart. She looked at me for a second and then reached into a file folder and pulled out this one:
To watch over the vineyards
O carrion crow, pulpy skull of scarecrow
going soft in your black bill,
in this fetish-orange field lies worship:
the sweep of glossed plumage over glistening
membrane; lies the sweet blood of purple skinned grape
cut on your sharp edged tomia,
shimmering there; sun-light on wet earth.
You too sweet to ripe; you black in the shadows, calling when you’re calling – –
the herds fly in dust gone crow, gone scare,
gone trill in clicks and shouts of krrrkrrr.
I applauded and remarked at how appropriate the poem was in many ways, especially in the resonance of the last sound, which approximated the French word for heart: coeur. She signed the card upon which the poem was written, handed it to me, and wished me a good day.
There is nothing bad that can come from poetry offered freely in the street.
From my friend Ria, who advanced a little in her inquiry on holding space:
When I am holding space, I connect in my body with the unmanifest potential of this person, this group or this place. It asks for an emptiness and a deep stillness inside to be able to carry this potential. Maybe it is better to say to be a container for it, and I mean it in a very physical way. I open my body to be this container in service of something that wants or can become manifest.
