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Hahopa rising

October 16, 2013 By Chris Corrigan Art of Hosting, Community, First Nations, Leadership, Learning, Stories One Comment

 

Yesterday was wonderful.  We spent the whole day around a fire on MacKenzie Beach listening to three stories and reflecting back what we learned.  Pawa’s father Moy and uncle Tim both told stories of growing up in a traditional family and village.  For me Tim’s story of getting stranded with his brother in a rowboat was powerful and contained all kinds of teachings about leadership, knowledge and practice.  In the afternoon we did the same with Admire’s story from Zimbabwe, the story of what is happening at Kufunda Village.  A full day of deeply listening to stories, harvesting lessons and teachings.  And then this morning, Tim’s story was reenacted.  Myself and Kelly, one of the participants here, re-enacted the story of Tim and his brother in a canoe alternately rowing and baling and having to switch roles while the waves pitch and roll.  Physically re-enacting the story, sitting in chairs and actually switching places as if we were in a canoe leant a depth to the story – teachings about balance and safety and working together.  Feeling it is a whole different kind of listening.

One of the things that is happening here is that we are beginning to experience a really different sense of time.  We are spending our days outside, blessed by constant sunshine that is a complete surprise at this time of year.  We are gathering around a fire on the beach or sometimes outside one of the cabins where we are staying.  Teachings are flowing in everything we do, from cooking to walking, to spending time alone.  Time is so slow here and we are finding ourselves going to bed at 8:00 after the sunsets and waking up early in the morning.  This is probably one of the most interesting teachings we are getting from the land itself, watching the tides come and go and the moon grow towards fullness, as we barbeque salmon on the fire and share the work of our little village.

Purpose is beginning to arise amongst us. And as that happens, offerings are beginning to appear as well, offerings of space for future gatherings, offerings of resources and friendship and deep commitment.  We are still running the Indiegogo campaign so people from around the world are contributing there too, and you can join them.  Tomorrow we continue our living in open space, heading out for a walk in the woods and perhaps playing some lahal later after the sun goes down.

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Opening Hahopa

October 14, 2013 By Chris Corrigan Art of Hosting, Community, First Nations, Learning

 

The weather here on MacKenzie Beach near Tofino is unusually summery.  THe families that were running around over the Thanksgiving weekend are gone now and only a few remain behind.  We began our learning village with a circle gathered around a fire on the beach, maybe 20 of us, sharing Indian Candy (half smoked salmon) dried berries and tea, telling the stories of our names and why we responded to the invitation to join a week of learning together.

We don’t have young ones here, but the oldest is 82 and we have folks from Denmark, Zimbabwe, the United States and France in our midst.  We are teaching and learning with love and kindness, eating and cleaning together, intrigued by the idea of Hahopa, singing songs and repecting protocols, making poems and songs together and starting to find the clarity of the new story we are here to create.

Tonight in the kitchen, where the truly great conversations take place, I was talking about how having the world here on this beach was a harbinger of the new story.  the problems that people face in First Nations communities are directly related to the relations between the communities and the rest of the world.  Hahopa, as it opens and begins today, was about the world coming to offer its own wisdom and to learn Nuu-Chah-Nulth wisdom.  We are in learning together, leaning into a small whisper of a future world of reconciled humanity, beyond apologizing and forgiving – studying together, learning how to learn and live together, and doing it for the children.

All of these are the faintest whispers as we begin, but something is stirring.  Here is the poem I harvested in our check in:

Admire’s desire is to ignite the fire of learning and knowledge
and knowing the college of the land, the culture that stands
for a thousands years
cattle farming and ocean rearing
living in open space to face
a way to govern ourselves
to stay true to our passion and the fashion that takes responsibility.

Toke has spoken of the crazy token of blood
that moves through the veins and floods us with connection
between people and the land
and the waves that nudge us together in the foggy morning weather.

My grandmother taught me with out ever seeing
the source of what was being shared with me
and what wasn’t clear to see.

The loyalty and fidelity to peaceful refuge has formed me.
cultivating a future view in community can hospitality
sensing drala that is the real caller,
a deep holler from the land that wants us to stop and understand
what is born again in the sixtieth journey around the sun
What has begun
what it takes to cross places of struggle
confront that which wriggles within us
and begs to be bigger, a mind that can find
the compassionate line at the heart of her humanity

I’m here for the long term, an uprooted farm hand
that has moved across lands
between worlds
where whatever shows up can be hosted by the whole
so the whole can know what none of us knows
what is encoded in the stories that lives in our bones.

I am with family, my brother and my friend
and there is no end to the people I want to know
to extend my appreciation to this nation.

My roots spread out and my re-beginnings are here
a clear reminder of seven dear racoons
begging for dinner under the light of the moon,

This is truly my whale
and this journey has been us just getting to this canoe
bridging two worlds struggling
to renew an ancient way of being  better together
weaving a generous
“ish” not the ish in “selfish”
but the ish in Hishukish tswalk
hahopa wealth, health and a stealthy
ceremony that restores harmony.

This field now begins to grow
as we get to know the flow
that pulls us together
and respects my longing to be known by my name”

What is the indigenous wisdom that needs to be shared with the world now?

I come from seal riders who plumb the depths of this sea
discover the passages that run beneath what we see
and I have sent my life with trees
and climbing the peaks – hawktooa.

I was brought up to help, be proud of what we do and have fun doing it.

I am a woman of many names and none are remembered
but I carry them all contrarian call
that leads to the edges of the earth

My cedar and spruce roots
reach across this island
teach me to understand
how to conserve what has been given to us

The quality of people, quality of land, quality of time
to the watery hearth of the setting sun
this it, the learning village has begun.

Please drop in for a day if you are nearby.  Also please donate to the Indiegogo campaign to help us meet the costs of this gathering and seed whatever comes next.

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Happiness and kindness at Hahopa

October 12, 2013 By Chris Corrigan Art of Harvesting, Art of Hosting, Community, Emergence, First Nations, Learning One Comment

 

 

“Tell everyone you know: “My happiness depends on me, so you’re off the hook.” And then demonstrate it. Be happy, no matter what they’re doing. Practice feeling good, no matter what. And before you know it, you will not give anyone else responsibility for the way you feel – and then, you’ll love them all. Because the only reason you don’t love them, is because you’re using them as your excuse to not feel good.”

– Esther Abraham-Hicks

via whiskey river.

Heading to Hahopa today.  Hahopa is an idea.  It is a place of the heart and the imagination which is rooted in the Nuu-Chah-Nulth principle of “teaching and learning with love and kindness.”  You might say that it is a place of grace, an ideal place where we can ground our happiness in an experimental way of being.

Hahopa is the dream of my friend Pawa Haiyupis.  Pawa’s full name is Pawasquacheetl which means “she gives in the feast with the energy of bees coming out of a hive.”  For years she has wanted to give the world a place where Nuu-Chah-Nulth teachings can be offered to anyone who feels that they are useful. Inspired by our friends at Kufunda village in Zimbabwe, Pawa and her family this week are embarking on an incredible dream.  The work we do together this week will set in place a lifetime of contribution to the world.

So I am off to Tofino where we will initiate this endeavour being hosted by the land, the beach and the sea.  We are open to seeing what will come of it and how it will flow.

If you would like to support this dream, please consider donating to the Indiegogo campaign and follow along here and on the facebook page where I will be helping to harvest what we learn.

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A dialogue poem

October 7, 2013 By Chris Corrigan Art of Harvesting, Art of Hosting, Emergence, Improv, Poetry

Some of my friends and I with in the Art of Hosting community create poems from our work as a kind of harvest, a way of listening to the voices shared in a circle and reflecting back to the group, it’s wholeness using the words of those in the room.  The poems are written on the spot and read into the room, slam style. Such poems evoke energy, and honour the whole.  We call these  “dialogue poems.”  Here is the one from yesterday’s check in in Montreal with our core hosting team…

Hosting team Check in poem

Where did you practice?
Where did you act as if you could do this?
What does the silence have to show us?
What is inside this seed?

A potential to feed what is needed everywhere
Hosting is caring so we’re daring to share
what is in our jardin communitaire:
101 ways in a single day
to face the case of urban space
fall into a call of enfolded breath
and die 101 little deaths, for co-creation to be the method
that we use to create and let go.  Whoa.  Peace flows

Caroline is on the scene
and clear love flows in between us
a clean passing of a piece to serve
the swerve and curve of jangly nerves
that the emergent life turns up.
This is a romance and a dance of hosted circumstance.

The space of the public dream seems
to be called to scream from the megaphone
deep in our bones in the intention for an intervention
ot suspension to  the conventional ways of doing things.
We meet despair with care for beauty and do our duty.

Economics in the commons needs us to anchor danger
as the social order rearranges strangers into the angels of
the commons”but”but”
Words were never spoken for the broken structures I have seen
for the painful way we remain unclean in the unconscious hosting
that leaves us unseen and suffering the wasted talents of human beings
so I offer a new chance to call us all into the hall and
share the commoning of Montreal.

When there is no room at the inn we move outside and work from the rim.
And all we need to take
is one minute, innit?
Because a crack is a small thing to make.

Small is beautiful, but tiny is fuller
What is the smallest container that can hold the future?
A negotiation with a child, a wild realization that we only flower
when the smallest things claim their power
and we take an hour to be in peace with other generations.

The appearance of the aperitif
Helps us arrive and be here

This work can be hard
when we haven’t got a clue
and the parameters make us do things we don’t want to do
we host grief and hate and create the state
for the gates to open and action to gain traction
for a fraction of the cost of the money we’ve already lost.

And then, abundance appears because we stayed with the fears
and the tears and we finally see everyone as peers.

It was a ride to get a guide that would help us get inside
the Art of Hosting and glide us to understanding, landing whatever we can
as a resource to help us plan for this.

Two thousand thirteen seems like a series of scenes
of moments that mean my life has seen
the real application of peace between human beings.
In cote d’ivoire, ravaged by war, a mayor named need
to plant a seed for people to lead the conversations
that stop the bleeding and meet the need for
the chief of chiefs to hold the belief that these ways of talking
can bring relief.

Two hundred thousand years of leadership
called into relationship, mateship and friendship
in a moment of reconciliation for a nation
where you do not have to be sorry
for the story, but you must offer a forum
for the experience of peace and a shift to dignified decorum.

We are not here to be small.
We all just want peace.
That is all.

I am touched to be here.
Daring to appear
Á table citoyen”where the rabble fits in
to chatter and natter about things that matter and
do it in public where the interests clatter
and find a place to practice together
co-create a project that’s better and better”
and shift my life to something unfettered.
by the separation that I’m deluded with.
Tend to the people that are coming,
feel the field and yield to the real.

Since January for me
It’s been a race from place to place
tracing a line from space to space
and stopping a moment to face the grace
That I have to receive for living as me  authentically
I hope to inspire near and far
people to be just who they are.

En formations nous avons les informations
pour le realization de collaboration
we carried the living spark
of what was lit in Lafontaine Parc
embodied a some light that shone in the dark
flowing from our humanity, a practice of embodied calamity!

I feel that I am a dwarf among giants
and ready to offer my heart and defiance
of what my own ego wants us to do
so we can be free.  How about you?

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Walking reconciliation

October 6, 2013 By Chris Corrigan First Nations

Here we are On September 22 in Vancouver.  Tens of thousands of people walking in the rain across the Georgia Street viaduct, down one side and up the other.

My family and I stood in the rain very near the front of the walk that morning listening speakers talk about what we doing there.  Chief Robert Joseph, who we all call “Bobby Joe” had a dream and here we were living it.  As a longtime voice of the victims of residential schools and then a champion of reconciliation, Bobby Joe had glimpsed a possibility: that if enough Canadians could come together in one place and have an experience of reconciliation through encountering one another and then being together, then something might start.

He formed an organization called Reconciliation Canada to do just that.  He hired good people (many of them friends of mine) to train British Columbians in running circles around the province so that Indigenous and settler could encounter one another’s stories.  And he dreamed of a walk together at the conclusion of a week of hearings by the Truth and Reconciliation Commission in Vancouver.

And so on a wet Sunday morning, I took my family and we went downtown and we stood near an empty stage in the pouring rain and became part of Bobby Joe’s dream.  And we stood there for two hours, listening to speeches from friends and colleagues like Chief Ian Campbell and Judge Murray Sinclair and Karen Joseph, Bobby’s daughter.  And all the while the crowd swelled behind us and we had no idea how many people had come out in the downpour to be a part of this event until Shelagh Rogers made the declaration that there were 70,000 people and that they stretched up Georgia Street as far as we could see.  That was astonishing.  I held that number in my mind even as I listened to Dr. Bernice King, the daughter of Dr. Martin Luther King Jr. say her piece.  It was impressive but not yet powerful.

And then Wa sang.

Wa is a ‘Namgis friend I met at a gathering last November.  I’m surprised I’ve never met him before, but we clicked deeply, as Wa does with many people.  He is an affable, funny and important man.  Important because he is a song catcher – he knows probably thousands of songs from his own community and others around him in the Kwakwa̱ka̱’wakw territories of northern Vancouver Island and the Central Coast.  He knows songs from all the neighbouring nations too, whether Coast Salish, Nuu-Cha-Nulth, Haida, Haisla or Nuxalk.  And he helps people, especially youth, catch snippets of melody that float through the coastal air like orographic clouds, hanging in atmosphere ready to be turned into nourishing rain.

Wa sang.  He sang something simple and powerful.  A monosyllabic single line repeated several times.  he sang it from a place of deepest resonance.  If we had been in a big house, he would have shook the poles.  He shook mine – cracked me wide open.

After Wa sang the walk began.  A screen was raised and lowered several times, a thin threshold that separated the 70,000 from a small group of people who were adorned in regalia.  Someone was blowing eagle down back at us.  Drums and cheering were heard everytime the screen came down to reveal this crowd.  And in time we began to walk down Georgia Street and onto the viaduct.

Now the physical location of this walk was important.  Georgia Street leads on to an elevated roadway which at one time in Vancouver’s history was going to be a freeway connection from the centre of the city out to the Trans Canada Highway near the Burnaby border.  Georgia and Dunsmuir Streets were both led on to elevated expressways but before they could get to Chinatown the project was stopped.  Completing the work would have destroyed neighbourhoods and communities, especially the historic urban Chinese Italian and native communities of the downtown eastside.  It was, as many projects like it are, undertaken with a sense of contempt for the communities below.  But it was stopped and there is a story about that and the story is one of repect – literally “looking again” at something and seeing something far more important to protect in the face of “progress.”  Ironically, Dunsmuir Street was named for James Dunsmuir, a former premier and industrialist who was an advocate for raising the poll tax on Asians even as he imported them by the hundreds to work on his railways and coal mines.  Georgia Street was named for King George III who issued the Royal Proclamation of 1763 – 250 years ago today – that is the basis for all treaty and reconciliation law in Canada.  It should be renamed the Reconciliation Parkway.

That was the road we walked out on.  There we all were, some three stories above the ground heading out of downtown.  It was beautiful, but lonely and confining.  From the middle of the crowd I had no sense of how big we were or where we were all going, and so I walked inside myself, reflecting on the act of reconciliation.  It felt like the energy had been drawn out, lost and quieted.

And then something astonishing happened.  The march doubled back on itself.  At the end of the expressway, the crowd walked down off off Georgia Street and did a 180 degres turn onto the Dunsmuir Street ramp.  As they doubled back I could hear them coming and then we met – 50 meters apart, three stories into the air, we met the waves of walkers, led by the survivors in their regalia.  We couldn’t reach them but only watch and call out as we passed one another in the air.  But here we were, finally walking together in a way that encountered each other.  Like the two-row wampum belt, separate paths, but seen and visible.  Honoured and held up.  Survivors waving at us like you do when two boats pass.  Songs filling the space between us, cheers and greetings rising up out of the crowd.  The traditional coastal gesture of raising one’s hands in respect and acknowledgement became a profound way for me to greet people.  I raised my hands to every survivor I made eye contact and I received in return smiles, and waves and raised hands back.  It was irresistible, and in the photo above you can see the people on the Dunsmuir side all pressed to the edge, greeting the bulk of the walkers coming the other way.

Somehow unwittingly, this march had created a physical container for reconciliation.  We could see each other, greet each other, connect with each other even as we were separated, elevated and moving.

Reconciliation is not a single act at a single point in time.  It is living this dynamic swirl of relationships like this always.

Once we came off the bridge the march wound through Chinatown and at one point stopped in front of Tinseltown, a downtown mall.  A group of about ten women were drumming and singing a well known women’s warrior song, and we stopped to join them.  That song usually gets sung six times through, but as more and more people joined we sang it over and over and over.  Dozens of people arrived, learned the song and sang it at the tops of their lungs, bouncing off the glass facade of the mall and the brick facades of the east side buildings.  It was utter joy, as it is to sing a warrior’s song at the top of your lungs with survivors.  An unleashing of the emotional energy of the day.  A marker.

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