Two good friends of mine, Roq Gareau who works for the Canadian Border Services Agency and Orlando Pioche who works for the Indian Health Service in Shiprock, NM. Men doing serious work who work together as deep friends.
From Wendel Berry:
Good work finds the way between pride and despair.
It graces with health.
It heals with grace.It preserves the given so that it remains a gift.
By it, we lose loneliness:
we clasp the hands of those who go before us,
and the hands of those who come after us;
we enter the little circle of each other’s arms,
and the larger circle of lovers whose hands are joined in a dance,
and the larger circle of all creatures,
passing in and out of life,
who move also in a dance,
to a music so subtle and vast
that no ear hears it except in fragments.
Sent out to all my friends, especially Steven, Kathryn, Tenneson and Beverley, with whom I did some good work this week. And to those good friends I will be working with this coming week in Phoenix at the Good Food Gathering – Toke, Monica, Tim, Phil and Tuesday.
Working with friends is perhaps the wisest thing one can do in pursuing larcge scale change. Only with the ears and hearts of friends tuned to one another’s needs can we hear more of the wholeness of the music that only comes to us in fragments.
I’m in some big work these days, whether it is in the child and family services system here in British Columbia, or hosting a 500 person World Cafe and Open Space at the Good Food Gathering to help the good food movement find it’s way with renewed leadership and vigour. None of this is remotley possible alone. I am working with close friends.
While it may be true that one person can make a difference in the world, I believe that the difference one person makes is choosing to work with others. We have long since exited the age of heros, and I wonder if we were ever in that age.
I once sat with Tenneson Woolf on a beach on my home island and we gazed across the Strait of Georgia. We talked about how huge everything is, how small we are in relation to the vast world. And we asked this question: if we are born of this world, knowing deeply the scale in which we live in relation to everything else, why do we feel like we can make an impact? What put that impulse there? We are the only creatures that entertain the delusion that we can shift things, and yet, we persist. AND, it’s true, to the extent that we can even shift the climate of our home world. There is almost a drive to do it.
There is nothing around you right now that is not the result of a group of people working together. No structure, no machine, no community, no idea exists because one person thought of it. Everything is born in relationship, and to the extent that our relationships are filled with quality, the work we do will be filled with quality. I choose first of all to work with friends, and from there to find the work that we can do together. When we attend to this quality of relationship, everything else becomes possible. Nothing around you has ever emerged otherwise.
So thank you to my friends who make it possible for me to satisfy my personal version of the human drive to make an impact. Together, as we tune to one another and reach into possibility, we can find the holy chords of that fragmented music, and sing.
Share:
One of my favourite lines of poetry ever written is contained in this surreal poem from Frederico Garcia Lorca. I remember reading the final stanza for the first time maybe ten years ago and it shook me.
Intermission
Those eyes of mine from 1910
saw no dead man buried,
no ashen fairs of mourners at dawn,
no heart quivering in its corner like a sea horse.Those eyes of mine from 1910
saw only the pale wall where the girls tinkled,
the snout of the bull, the poisonous mushroom,
and the incomprehensible moon that illuminated dried lemon rinds
under the hard black bottles in the corners.Those eyes of mine on the neck of the pony,
on the pierced breast of the sleeping Saint Rosa,
on the tiled rooftops of love, with moans and fresh hands,
on a garden where cats ate the frogs.Attic where the ancient dust congregates statues and mosses,
boxes that keep the silence of devoured crabs
in the place where the dream squabbled with its reality.
My small eyes are there.Don’t ask me any questions. I have seen how things
that seek their way find the void instead.
There are spaces that ache in the uninhabited air
and in my eyes only children dressed without their nakedness!
Share:
Photo by aikijuanma
Here is a lovely story of youth adding beauty to the world by setting up a poetry stand and giving away instantly crafted poems to anyone who asked for them.
A few months ago as I was walking in Government Street in Victoria I met a woman standing beneath a tree outside Munro’s Books. The tree had small pieces of paper attached to them and when I looked closer I saw that they were poems, hanging on a “poet tree.” The poet turned out to be Yvonne Blomer and she asked me if she could read me a poem. When I said, with delight, “of course!” she asked whether I preferred any particular subject. I replied that I wished her to read me a poem about the territory of the open heart. She looked at me for a second and then reached into a file folder and pulled out this one:
To watch over the vineyards
O carrion crow, pulpy skull of scarecrow
going soft in your black bill,
in this fetish-orange field lies worship:
the sweep of glossed plumage over glistening
membrane; lies the sweet blood of purple skinned grape
cut on your sharp edged tomia,
shimmering there; sun-light on wet earth.
You too sweet to ripe; you black in the shadows, calling when you’re calling – –
the herds fly in dust gone crow, gone scare,
gone trill in clicks and shouts of krrrkrrr.
I applauded and remarked at how appropriate the poem was in many ways, especially in the resonance of the last sound, which approximated the French word for heart: coeur. She signed the card upon which the poem was written, handed it to me, and wished me a good day.
There is nothing bad that can come from poetry offered freely in the street.
Share:
Photo by Vik Nanda
Some things popping up and absorbing my attention this week.
- Mushrooms + human hair = oil spill cleanup
- Customizing big flying spaces. What will the future archeologists say? The economics and ecologics of such endeavours stagger me.
- Wow. Ashley dreams of flying,by putting all that space on the OUTSIDE.
- An old friend from Peterborough, Andy Quan, comes back on my radar with a new book of poems edited by another old friend, John Barton, with whom I was a associate editor of ARC magazine in the early 1990s. I love the web.
- Good media (page 1, page 2) from a recent Open Space event at WOSU in Columbus Ohio run by my friend Tuesday Ryan-Hart.
- Garret Lisi’s theory of everything and some useful discussion.
- “At the root of the music industry’s transformation is a rediscovery, or a renewed appreciation, of the communal origins of music-making and listening. As MP3 players and online video have grown in popularity, so has an appreciation that music isn’t just something that goes on between your ears.” Yes. And. The answer is to write songs about your place.
- The story of stuff and Regenerosity. Two from Pollard.
- Viv’s looking at facilitation too.
- My favourite web radio station at the moment: Groove Salad. Try it with mushrooms!
PS…somehow my annual December 6 post got saved to a drafts folder. I’ve republished it below.
Share:
Hyperlinks –
follow these leads
a thread.
- Haiku resources
- My friend Thomas Arthur, who weaves with gravity, posts Wooshclang!
- Richard Sweeney weaves with paper.
- A beautiful and complete list of what the world is made of.
- Does your disaster plan include conversation to mobilize quickly? Or is it still expert driven?
- Nice summary of Senge’s core concepts on Learning Organizations
- You, and many other living creature, have a billion and a half heartbeats to change the world.
- Change management myths. (Not including the myth that change can be managed, but still…)
- Doug’s blog: Footprints in the Wind, which I read all the time, and so should you.
- From Nancy…the power of a line.



