This is what happens when you travel the world with a question: you find teachings in all kinds of unexpected places. There’s a spoiler in here, if you haven’t seen the movie.
Last night my family all enjoyed a night in Vancouver, dinner and a movie. We went to see Bridge to Terabithia, which is a pretty good film about two pre-teen outcasts, Jess and Leslie, who find meaning in each other’s imagination. Together they ease each other into opening minds and hearts to create a fantasy world, and it’s neve clear whether or not the world is becoming real as the movie unfolds. Towards the end of the film Leslie dies – a strange enough occurrance in a children’s movie – and Jess is left alone with the fantasy world he created with his friend.
It’s a strong film with many themes, but as I’ve been carrying around the questions of what it means to harvest in the world, I found it interesting that the movie resonated for me on that level.
One way to think about harvesting is to see it as putting imaginations to use to create meaning in one world so that another world may come into being. In social change efforts, harvesting is most powerful not when it simply documents the shift from one state to another, but when the harvest itself becomes the catalyst for the coming into being of the new world.
In Bridge to Terabithia, Leslie is a storyteller whose words can invoke physical realities. Jess is a talented visual artist who draws the worlds he sees. Together they create their new world, tentatively at first, but later with so much energy that they inhabit it with wild abandon. In the end, after Leslie dies, Jess shares this world with his little sister, who is introduced to the world by crossing a bridge that Jess has built over the creek in which Leslie has died. When they reach the other side, Jess’s sister utters “Terabithia!” and her ability to see and live in the world begins immediately. Her own profound imaginary engagement with Terabithia is a testament to the power of what Jess and Leslie harvested from their creation and experience of the world. It ‘s fascinating to look at the film from this angle, at how the power of Leslie’s imagination, and Jess’s harvest of it literally creates a bridge for Jess’s sister to cross so that she may be fully invited into Terabithia.
I’m quite interested how a multimedia, multimodal harvest of meaning from an experience can facilitate and sustain new levels of consciousness and awareness. In this film, the continuation of the world requires a harvest that envelopes Jess’s sister so that she immediately opens to the power of her own imagination. It’s what every good meeting should be about.
Tunstall Bay, Bowen Island
An old quote, freshly rediscovered:
If you want to build a ship,
don’t drum up people together to collect wood
and don’t assign them tasks and work,
but rather teach them to long for
the endless immensity of the sea.— Antoine de Saint-Exupéry
I was hanging out with my mates and fellows from the Art of Hosting yesterday here on Bowen Island. Any time I get to spend with these guys changes the way I see things.
Yesterday Toke Moeller was describing a game he has developed called Flowgame, which is a way of asking questions and hosting conversations to sustain flow on these questions. In passing he mentioned that in order to play, you have to have a real question, and he described a real question as a question where you have something at stake.
That’s a wicked definition if you think about it. It gets away from questions that are just academic, or that are leading questions, or closed questions and it invites questions which, by their very asking, change everything.
THAT is the practice of invitation.
My friend Toke Paludan Moller gave me a huge gift at the Practice of Peace conference. He issued a challenge and an invitation to work at a deep, deep level. Since I heard him speak these words, my work has changed measurably.
After the conference was over I asked if he could remember what he said and asked him if he could write it down. He did his best to put the ideas in an email, which I have recast as the poem that it is.
it is time!the training time is over
for those of us who can hear the call
of the heart and the timesmy real soul work
has begun on the next level
for me at leastcourage is
to do what calls me
but I may be afraidwe need to work together
in a very deep sense
to open and hold spaces
fields
spheres of energy
in which our
and other people’s
transformation can occurnone of us can do it alone
the warriors of joy are gathering
to find each other
to train together
to do some good work
from the heart with no attachment
and throw it
in the riverno religion, no cult, no politics
just flow with life itself as it
unfolds in the now…what is my Work?
what is our Work?