My friend Viv McWaters sends this note from Australia: “I’m just back from three days at the Port Fairy Folk Festival where I immersed myself in great music and bands and came away with lots of thoughts about how facilitators can learn a lot from musicians. The stand out performer was Harry Manx – a Canadian Blues/folk performer who combines traditional blues, amazing slide guitar, mohan veena, mandolin and harmonica and vocals with traditional Indian music. He says on the CD notes “Mantras for Madmen”: ‘When the silence between the notes says as much as the notes themselves, like the …
On Monday I was up in Kamloops taking part in an annual gathering called the “Stop Sexual Exploitation of Children and Youth” Conference. That’s a mouthful but it’s a truly wonderful annual gathering hosted by The Justice Institute of British Columbia (itself a great thing we have here in BC). I was asked to come and deliever a workshop on dialogue and deliberation methods with youth, and so I showed up to do that. In my design I though it would be cool to see if I could give people a tast of what it feels like to be engaged …
As I have been updating my website and moving things around I have finally gotten to re-organizing the Open Space Resources page. The page now contains resources on the nuts and bolts of of Open Space and deeper learning organized by practice area. There are also links to articles, books, stories and internet resources to support practice and learning about Open Space. I’ll continue to update the page (having it in a wiki makes that a LOT easier) and I’ll be adding a lot more stories of my own. I’m also looking at giving that page it’s …
Ali Farka Toure has died. I missed seeing him play, but have loved his music since first hearing it. He was a blues player and a griot and a link to a deep source. mp3: Ali Farka Toure – Allah Uya
My buddy Jon Husband today blogged a fascinating piece by danah boyd on why and how youth are using MySpace. Her conclusion… Youth are not creating digital publics to scare parents – they are doing so because they need youth space, a place to gather and see and be seen by peers. Publics are critical to the coming-of-age narrative because they provide the framework for building cultural knowledge. Restricting youth to controlled spaces typically results in rebellion and the destruction of trust. Of course, for a parent, letting go and allowing youth to navigate risks is terrifying. Unfortunately, it’s necessary …