My friend Pauline Le Bel published the first in a series of articles in our local paper on our project to install a Squamish welcome figure here on Bowen Island. This article talks about the history of the project.
And here is the back story from our ever evolving prospectus.
An Invitation to all to Co-Create a Symbol of Reconciliation and Friendship
We are at the beginning of a community project to raise funds and support for the carving and installation of a Squamish Welcome Figure on Bowen Island/Nex?wlélex?wm. This project is a step toward deeper recognition of the Squamish People as the original stewards of this land, and an act of reconciliation and allyship that invites us all into a shared future grounded in respect and friendship.
Why a Welcome Figure?
Welcome Figures are carved by Squamish carvers to offer greeting, connection, and hospitality to all who arrive on Squamish territory. This proposed figure will:
- Recognize Squamish ownership and stewardship of Nex?wlélex?wm.
- Extend a visible, meaningful welcome to all who come to the island.
- Build upon past gestures such as the installation of the “Nex?wlélex?wm” place name at the ferry landing in 2020.
- Deepen cultural understanding and relationships between the Squamish Nation and Bowen Island residents.
- Be created in collaboration with a Squamish carver.
This project builds on the work of reconciliation and relationship building between residents of Bowen Island/Nex?wlélex?wm and our hosts, the S?wx?wú7mesh Úxwimixw (the Squamish Nation). Since before the Truth and Reconciliation Commission Report, citizens on Bowen Island/Nex?wlélex?wm have worked with the Nation on initiatives to build knowledge, awareness and collaboration. In 2017, Pauline Le Bel, with the support of the Bowen Island Public Library and the Bowen Island Arts Council, initiated a reconciliation initiative called Knowing Our Place, to learn our true history with Indigenous People. The initiative brought Squamish Nation Elders and teachers to Bowen Island, and engaged many Islanders in learning about the Indigenous history of our place. In 2020, as part of Knowing Our Place, Elders from the Squamish Ocean Going Canoe Family came in ceremony to bless the sign at the ferry dock that welcomes people to Nex?wlélex?wm. At that ceremony the idea was born to create and install a Welcome Figure on Bowen Island, as a tangible mark of the relationship between the S?wx?wú7mesh Uxwimixw and the Nex?wlélex?wm Uxwimixw (the villagers of Bowen Island).
This project also builds on several of the Calls to Action in the Truth and Reconciliation Report and extends the spirit of those calls with a tangible, community-initiated project to recognize and affirm the Squamish Nation and its territory and to acknowledge our place within it.
There are several Squamish Nation welcome figures within S?wx?wú7mesh-ulh Temíxw (Squamish territory). You can read about some of them here:
The preferred location: the entrance to our new Community Centre
While the beach at Snug Cove was the original location — as suggested by Squamish Elder and Councillor, Alroy ‘Bucky’ Baker — the difficulty in acquiring a suitable large cedar log has made another location more viable. A smaller log has been acquired for a welcome figure as a house post welcoming islanders and visitors to the Centre and to our community.
If you want to help you can donate at our charitable Impact page and you’ll receive a tax receipt if you are Canadian.
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Ted Gioia remembers his first ever jazz show, seeing Yusef Lateef in LA. It changed his life.
17 seconds into the performance by the Yusef Lateef Quartet. I honestly wanted to jump up, and tell everybody in the nightclub:
This is the moment I’ve been waiting for.
I knew in that instant that everything in my life had been leading up to this. And I’d been wasting my time with rock and pop and classical music. My destiny was jazz.
I had a similar experience with jazz. It was perhaps 1986 in Toronto and my friend Winston Smith, who worked at my local bookstore, Writers & Co. Invited me to go see Mal Waldron and Steve Lacy at The Rivoli on Queen Street. Winston fed me a steady diet of novels and poetry by African American writers like John Edgar Wideman and Nathanial Mackey and he turned my head when it came to music. And while the records he leant me were one thing seeing two master improvisers at work live was another thing altogether.
Waldron and Lacy were a phenomenal duet. Together they spanned the history of the genre. Waldron was one of Billie Holiday’s accompanists and Lacy played with the likes of Cecil Taylor. Their set was full of Monk tunes and original compositions that strayed wildly from the head as they entered into free music together. It was my introduction to this kind of jazz.
Unlike Gioia this performance didn’t make me want to play the music. I found it raw and intimidating and had no way in with the limited guitar technique I had. There were no guitar players making this music other than Sonny Sharrock and so what it did was light a fire in me for this music and art that approached this kind of intensity and thoughtfulness.
Life changing.
Go read this amazing blog post about these two musicians and their long history together.
Louise Erdrich, courtesy of Maria Popova
Life will break you. Nobody can protect you from that, and living alone won’t either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself that you tasted as many as you could.
Got it.