I am using Patti Digh’s title for this post. She posted today on Keith Jarrett’s Köln Concert, in which he had to perform on a piano that was far from ideal. But he accepted the constraint and played one of the most enduring and transformative jazz concerts of all time.
It reminded me of the time that Geoff Brown and I played with two Turkish musicians at the Applied Improv Network conference in Portland. The image above shows us in full flow.
I had just met Geoff, and we were beginning a friendship that has lasted nearly two decades despite having been together only three times – in Portland, working on a sustainability conference in Melbourne, and doing one on Indigenous Housing here in Vancouver.
The show in question was the gala improv show, held I believe at the Portland Schweitzer Concert Hall, which is a big venue. The four of us were invited to be the band for part of the show. Geoff had his guitar with him and the Turkish musicians had their instruments, but I had nothing. The show organizer said “my son has a really nice guitar. I’ll bring it for you.”
We showed up on the evening ready to go (this was an improv show remember, no rehearsals!) and the organizer handed me the guitar case. I opened it up and instead of “a really nice guitar” he handed me a battered beginner classical guitar that was missing the A string. “Oh shit,” he said.
His son had evidently swapped guitars at some point and dad just grabbed the case without checking and left.
“I’m so sorry,” he said.
I took one look at the guitar and, after three days of accepting every offer that came my way, I said “it’s good. I’ll play it.”
And that’s how I found myself playing onstage in a soft seat theatre in Portland in front of hundreds of people on a battered old five string guitar with an Australian blues man and two Turkish musicians. You can tell from the photo above that we had a ball.