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106339856581551588

September 12, 2003 By Chris Uncategorized


Rock Balancing art from Oasis Design, Photo by Art Ludwig

Robert Brady, writing in his blog Pure Land Mountain about the lessons learned from working with stones:

If you want a wall that is a stone poem in stone syntax, you have to learn the bit-by-bit stones teach until at last you have a stone wall, not a book wall, not a you wall. The finest mortar for a stone wall, therefore, is patience in the builder, blended with integrity. No integrity in the builder, no integrity in the wall.

But the bigger lesson comes later, when the wall is standing at last and you go out into the world alight with the knowledge that this dialectic pertains to EVERYTHING you do: that any worthy activity is a dialog, that wisdom is a living thing, not frozen in time, not a doctrine or a dogma, not a monument, not a library, not a printed book, and that you are filled with wisdom, ready and waiting to be known to you.

What does living wisdom tell us? Among other things, that the solution is where the problem is: in ourselves. Loss of beauty, living beauty, within and without our lives, is the sign, the lesson, the marker, the measure, of our deviation from living wisdom. Lack of affinity with living wisdom lies at the heart of our problems, and if we continue this way we are ended: the real thing won’t stand for it. Existence must be a dialog with the moment, as the living, thinking person is taught by any art, any worthy endeavor. You are instructed and guided by the very task, by the very ongoing. You are taught the true way most truly only by traveling it, not just by standing still and listening to others tell you about it, or by merely looking at an old map others have made. The way is vast, greater far than we, and it will prevail, no matter how we treat it or perceive it. We either go as it goes or the walls we have built will collapse upon us.

I carry stones around with me everywhere I go, and one of my favourite things to do is to balance rocks and stones on the beach. It’s a form of meditation to connect with the bigger fundamental forces and logic that Brady writes about, using the stones and rocks as vehicles and brutal teachers. When balancing two large rocks, there is only one way to get it right. Get it wrong, and the rocks will fall and implore you to better understand them and their connections to their environment.

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