Poems by Denise Levertov

 

The Great Black Heron. 2

An excerpt from "Mass for the Day of St. Thomas Didymus". 3

Ikon: The Harrowing of Hell 4

St, Peter and the Angel 5

Sojourns in the Parallel World. 6

The Secret 7

The Mutes 8

The Métier of Blossoming. 10

Losing track. 11

In California during the Gulf War 12

Talking to Grief 13

September 1961. 14

In Mind. 16

Celebration. 17

Untitled. 18

Aware. 19

The Fountain. 20

'I learned that her name was Proverb' 21

Intrusion. 22

Stepping Westward. 23

Variation on a Theme by Rilke. 24

Adam's complaint 25

Zeroing In. 26

To the Reader 27

The ache of marriage: 28

An Embroidery. 29

Wanting The Moon. 30

The Thread. 31

Seeing For A Moment 32

Looking, Walking, Being. 33

A Woman Alone. 34

To the Snake. 35

Settling. 36

February Evening in New York. 37

The well 38

For the New Year, 1981. 39

O Taste and See. 40

The Elves 41

The Fountain. 42

Opening Words 43

Come into animal presence. 44

From the Roof 45

Beginners 46

Making Peace. 47

Talk in the Dark. 48

Annunciation. 49


The Great Black Heron

 

Since I stroll in the woods more often

than on this frequented path, it's usually

trees I observe; but among fellow humans

what I like best is to see an old woman

fishing alone at the end of a jetty,

hours on end, plainly content.

The Russians mushroom-hunting after a rain

trail after themselves a world of red sarafans,

nightingales, samovars, stoves to sleep on

(though without doubt those are not

what they can remember). Vietnamese families

fishing or simply sitting as close as they can

to the water, make me recall that lake in Hanoi

in the amber light, our first, jet-lagged evening,

peace in the war we had come to witness.

This woman engaged in her pleasure evokes

an entire culture, tenacious field-flower

growing itself among the rows of cotton

in red-earth country, under the feet

of mules and masters. I see her

a barefoot child by a muddy river

learning her skill with the pole. What battles

has she survived, what labors?

She's gathered up all the time in the world

--nothing else--and waits for scanty trophies,

complete in herself as a heron.


An excerpt from "Mass for the Day of St. Thomas Didymus"

 

ii  Gloria

 

Praise the wet snow

        falling early.

Praise the shadow

        my neighor's chimney casts on the tile roof

even this gray October day that should, they say,

have been golden.

                Praise

the invisible sun burning beyond

     the white cold sky, giving us

light and the chimney's shadow.

Praise

god or the gods, the unknown,

that which imagined us, which stays

our hand,

our murderous hand,

                   and gives us

still,

in the shadow of death,

            our daily life,

            and the dream still

of goodwill, of peace on earth.

Praise

flow and change, night and

the pulse of day.


 

Ikon: The Harrowing of Hell

 

Down through the tomb's inward arch

He has shouldered out into Limbo

to gather them, dazed, from dreamless slumber:

the merciful dead, the prophets,

the innocents just His own age and those

unnumbered others waiting here

unaware, in an endless void He is ending

now, stooping to tug at their hands,

to pull them from their sarcophagi,

dazzled, almost unwilling. Didmas,

neighbor in death, Golgotha dust

still streaked on the dried sweat of his body

no one had washed and anointed, is here,

for sequence is not known in Limbo;

the promise, given from cross to cross

at noon, arches beyond sunset and dawn.

All these He will swiftly lead

to the Paradise road: they are safe.

That done, there must take place that struggle

no human presumes to picture:

living, dying, descending to rescue the just

from shadow, were lesser travails

than this: to break

through earth and stone of the faithless world

back to the cold sepulchre, tearstained

stifling shroud; to break from them

back into breath and heartbeat, and walk

the world again, closed into days and weeks again,

wounds of His anguish open, and Spirit

streaming through every cell of flesh

so that if mortal sight could bear

to perceive it, it would be seen

His mortal flesh was lit from within, now,

and aching for home. He must return,

first, in Divine patience, and know

hunger again, and give

to humble friends the joy

of giving Him food--fish and a honeycomb.


St, Peter and the Angel

 

Delivered out of raw continual pain,

smell of darkness, groans of those others

to whom he was chained--

 

unchained, and led

past the sleepers,

door after door silently opening--

out!

    And along a long street's

majestic emptiness under the moon:

 

one hand on the angel's shoulder, one

feeling the air before him,

eyes open but fixed . . .

 

And not till he saw the angel had left him,

alone and free to resume

the ecstatic, dangerous, wearisome roads of

what he had still to do,

not till then did he recognize

this was no dream. More frightening

than arrest, than being chained to his warders:

he could hear his own footsteps suddenly.

Had the angel's feet

made any sound? He could not recall.

No one had missed him, no one was in pursuit.

He himself must be

the key, now, to the next door,

the next terrors of freedom and joy.


Sojourns in the Parallel World

 

We live our lives of human passions,

cruelties, dreams, concepts,

crimes and the exercise of virtue

in and beside a world devoid

of our preoccupations, free

from apprehension--though affected,

certainly, by our actions. A world

parallel to our own though overlapping.

We call it "Nature"; only reluctantly

admitting ourselves to be "Nature" too.

Whenever we lose track of our own obsessions,

our self-concerns, because we drift for a minute,

an hour even, of pure (almost pure)

response to that insouciant life:

cloud, bird, fox, the flow of light, the dancing

pilgrimage of water, vast stillness

of spellbound ephemerae on a lit windowpane,

animal voices, mineral hum, wind

conversing with rain, ocean with rock, stuttering

of fire to coal--then something tethered

in us, hobbled like a donkey on its patch

of gnawed grass and thistles, breaks free.

No one discovers

just where we've been, when we're caught up again

into our own sphere (where we must

return, indeed, to evolve our destinies)

--but we have changed, a little.

 


The Secret

 

Two girls discover

the secret of life

in a sudden line of

poetry.

 

I who don't know the

secret wrote

the line. They

told me

 

(through a third person)

they had found it

but not what it was

not even

 

what line it was. No doubt

by now, more than a week

later, they have forgotten

the secret,

 

the line, the name of

the poem. I love them

for finding what

I can't find,

 

and for loving me

for the line I wrote,

and for forgetting it

so that

 

a thousand times, till death

finds them, they may

discover it again, in other

lines

 

in other

happenings. And for

wanting to know it,

for

 

assuming there is

such a secret, yes,

for that

most of all.


The Mutes

 

Those groans men use

passing a woman on the street

or on the steps of the subway

 

to tell her she is a female

and their flesh knows it,

 

are they a sort of tune,

an ugly enough song, sung

by a bird with a slit tongue

 

but meant for music?

 

Or are they the muffled roaring

of deafmutes trapped in a building that is

slowly filling with smoke?

 

Perhaps both.

 

Such men most often

look as if groan were all they could do,

yet a woman, in spite of herself,

 

knows it's a tribute:

if she were lacking all grace

they'd pass her in silence:

 

so it's not only to say she's

a warm hole. It's a word

 

in grief-language, nothing to do with

primitive, not an ur-language;

language stricken, sickened, cast down

 

in decrepitude. She wants to

throw the tribute away, dis-

gusted, and can't,

 

it goes on buzzing in her ear,

it changes the pace of her walk,

the torn posters in echoing corridors

 

spell it out, it

quakes and gnashes as the train comes in.

Her pulse sullenly

 

had picked up speed,

but the cars slow down and

jar to a stop while her understanding

 

keeps on translating:

'Life after life after life goes by

 

without poetry,

without seemliness,

without love.'


The Métier of Blossoming

 

Fully occupied with growing--that's

the amaryllis. Growing especially

at night: it would take

only a bit more patience than I've got

to sit keeping watch with it till daylight;

the naked eye could register every hour's

increase in height. Like a child against a barn door,

proudly topping each year's achievement,

steadily up

goes each green stem, smooth, matte,

traces of reddish purple at the base, and almost

imperceptible vertical ridges

running the length of them:

Two robust stems from each bulb,

sometimes with sturdy leaves for company,

elegant sweeps of blade with rounded points.

Aloft, the gravid buds, shiny with fullness.

 

One morning--and so soon!--the first flower

has opened when you wake. Or you catch it poised

in a single, brief

moment of hesitation.

Next day, another,

shy at first like a foal,

even a third, a fourth,

carried triumphantly at the summit

of those strong columns, and each

a Juno, calm in brilliance,

a maiden giantess in modest splendor.

If humans could be

that intensely whole, undistracted, unhurried,

swift from sheer

unswerving impetus! If we could blossom

out of ourselves, giving

nothing imperfect, withholding nothing!


Losing track

 

Long after you have swung back

away from me

I think you are still with me:

 

you come in close to the shore

on the tide

and nudge me awake the way

 

a boat adrift nudges the pier:

am I a pier

half-in half-out of the water?

 

and in the pleasure of that communion

I lose track,

the moon I watch goes down, the

 

tide